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The Pleasures of Immersion and Interaction
J. Yellowlees Douglas and Andrew Hargadon on the affective side of hypertexts via “schemas, scripts, and the fifth business.”
Andre Lund - 05.10.2017 - 19:51
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Moving Through Me as I Move
Techno-poet Stephanie Strickland surveys the digital artistic practices of her peers and presents a “paradigm for interaction.”
Andre Lund - 05.10.2017 - 19:53
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Card Shark and Thespis
Eastgate Systems alumns Diane Greco and Mark Bernstein explain two “exotic tools for hypertext narrative.”
Andre Lund - 05.10.2017 - 19:54
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Moving Through Me as I Move
Techno-poet Stephanie Strickland surveys the digital artistic practices of her peers and presents a “paradigm for interaction.”
Andre Lund - 10.10.2017 - 11:41
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Card Shark and Thespis
Eastgate Systems alumns Diane Greco and Mark Bernstein explain two “exotic tools for hypertext narrative.”
Andre Lund - 10.10.2017 - 11:42
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Hypertexts and Interactives
The parallels (and oppositions) between hypertext and AI are brought out in section five.
Andre Lund - 10.10.2017 - 11:43
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Approaches to Interactive Text and Recombinant Poetics
In this series of “media-element field explorations,” Bill Seaman suggests configurations for the shape of the virtual artist-author to come.
Andre Lund - 10.10.2017 - 11:45
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Unusual Positions
Camille Utterback exposits “embodied interaction with symbolic spaces” - the body and language of digital art.
Andre Lund - 10.10.2017 - 11:46
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Literal Art
John Cayley dadas up the digital, revealing similarities of type across two normally separate, unequal categories: image and text. “Neither lines nor pixels but letters,” finally, unite.
Andre Lund - 10.10.2017 - 11:47
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The Pixel/The Line
For all the talk of cyber-difference, screens still behave like pages. The contributors in section six have developed, in response, a digital aesthetics unlike that of print.
Andre Lund - 10.10.2017 - 11:47
