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CONT3XT.NET is Everything
CONT3XT.NET is Everything
J. R. Carpenter - 25.11.2011 - 13:13
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Kac, Cayley, and Kargl on Translation
Kac, Cayley, and Kargl on Translation
J. R. Carpenter - 25.11.2011 - 13:19
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Voice of the poet programmer Jörg Piringer
Voice of the poet programmer Jörg Piringer
J. R. Carpenter - 25.11.2011 - 13:30
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Paradoxical Print Publishers TRAUMAWIEN
Paradoxical Print Publishers TRAUMAWIEN
J. R. Carpenter - 25.11.2011 - 14:02
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Collecting digital literature in Europe
Collecting digital literature in Europe
J. R. Carpenter - 25.11.2011 - 14:10
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Digital Literature and the Modernist Problem
What is the status of digital literature in contemporary culture? Many scholars and practitioners assume that digital literature constitutes a contemporary avant-garde, which does its work of experimentation outside or in opposition to the mainstream. The notion of the avant-garde might seem thoroughly out of date in a consideration of the digital future. Important theorists (e.g. Huyssen, Drucker) have argued that the avant-garde is no longer viable even for traditional media and art practices. On the other hand, the avant-gardes of twentieth-century modernism made claims about the function of art that remain surprisingly influential today – within the art community and within popular culture. As Peter Bürger and others have discussed, an important division grew up in modernism on the question of whether art should strive for formal innovation or for sociopolitical change. Avant-gardes of the twentieth century took up positions along a spectrum from pure formalism (e.g. the Abstract Expressionists) to overt political action (e.g. the Situationists).
Maria Engberg - 27.11.2011 - 00:59
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Forming the Text, Performing the Work: Aspects of Media, Navigation, and Linking
This article proposes a theoretical framework intended to facilitate descriptions and discussions of texts of works in different media. The main theoretical traditions which have inspired this endeavor are, on the one hand, textual criticism (with scholars such as Fredson Bowers, D. C. Greetham, Jerome J. McGann, D. F. McKenzie, Peter L. Shillingsburg, and G. Thomas Tanselle), and, on the other hand, hypertext theory (represented by theorists like Espen Aarseth, Jay David Bolter, Jane Yellowlees Douglas, Michael Joyce, George P. Landow, and Janet H. Murray). The study aims to combine and develop the perspectives of such theoretical traditions in order to suggest a more consistent and extensive set of concepts for the analysis of how narratives are stored and disseminated. The study examines the structural aspects of texts and works, and deals with storage, presentation and reproduction of works. Moreover, the structure of works and texts, as well as the navigation related to these structures, are discussed. The study also includes an in-depth discussion on links and linking, and a new terminology is suggested for the subject.
Patricia Tomaszek - 29.11.2011 - 15:18
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Writing to be Found and Writing Readers
Poetic writing for programmable and network media seems to have been captivated by the affordances of new media and questions of whether or not and if so, how certain novel, media-constituted properties and methods of literary objects require us to reassess and reconfigure the literary itself. What if we shift our attention decidedly to practices, processes, procedures — towards ways of writing and ways of reading rather than dwelling on either textual artifacts themselves (even time-based literary objects) or the concepts underpinning objects-as-artifact? What else can we do, given that we must now write on, for, and with the net which is itself no object but a seething mass of manifold processes?
Eric Dean Rasmussen - 01.12.2011 - 10:59
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L’escriptura literària en l’era digital
L’escriptura literària en l’era digital
Sandra Hurtado - 01.12.2011 - 15:40
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Cibertextualidades: Introdução
Cibertextualidades: Introdução
Rui Torres - 02.12.2011 - 15:02
