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1. Flash Script Poex: A Recodificação Digital do Poema Experimental

   In this article I analyze digital re-readings of experimental poems contained in the digital archive
   PO-EX: Poesia Experimental Portuguesa - Cadernos e Catálogos [PO-EX: Experimental Portuguese Poetry - Chapbooks and Catalogues]. This project was developed by the Center for the Study of Informatic Text and Cyberliterature (CETIC) at Fernando Pessoa University (Porto, Portugal). I consider how experimental poetics is applied and transformed in the processes of electronic remediation of visual and concrete texts by E. M. de Melo e Castro, Herberto Helder, José-Alberto Marques, Salette Tavares and António Aragão. While digital recreations redefine the source texts by means of specific programming codes, they also reveal the complex linguistic and graphical coding of the printed page.

   (Source: Author's Abstract)

   Alvaro Seica - 29.11.2013 - 10:54

2. Concrete and Digital Poetics

   I argue that there is an intrinsic connection between concrete poetics as a theory of the medium (i.e., of language, of written language, and of poetical forms) and digital poetics as a theory of poetry for the digital medium. This link is clearly seen in the use of concrete poems as storyboards and scripts for electronic texts, both in composing text for graphic interface static display and for animation. This essay deals with the adoption of electronic media by concrete poets, with examples from the work of Brazilian poet Augusto de Campos (1931-), and Portuguese poets E.M. de Melo e Castro (1932-) and Tiago Gomez Rodrigues (1972-).

   (Source: Author's Abstract)

   Alvaro Seica - 05.12.2013 - 16:09

3. The PO.EX Digital Archive of Portuguese Experimental Literature: A Review

   PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

   (Source: Author's Abstract)

   Alvaro Seica - 19.03.2014 - 12:25

4. O PO.EX, Arquivo Digital da Literatura Experimental Portuguesa: Uma Recensão

   PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

   Alvaro Seica - 26.03.2014 - 15:00

5. A Proposição 2.01: Poesia Experimental

   A Proposição 2.01: Poesia Experimental

   Alvaro Seica - 11.04.2014 - 10:54

6. Poemografias: Perspectivas da Poesia Visual Portuguesa

   An anthology of Portuguese experimental poetry, focusing on visual poetry. The collection includes several authors and works, e.g. Silvestre Pestana's Computer Poetry series (1981-83), programmed in BASIC on a ZX-81 and Spectrum. The book's cover is a photograph of the original work displayed on a TV screen.

   Alvaro Seica - 22.04.2014 - 14:29

7. Entrevista a Rui Torres

   Rui Torres is Associate Professor at University Fernando Pessoa (UFP) in Porto and also author of several works of digital poetry. In this interview he explains how he started working in this field and where his inspiration comes from. Furthermore he explains why he sees the works of electronic literature as literary experiments and his concept of aesthetics taking in account his privilege for multimedia and the active participation of the readers in the creation of some his works. In the end he makes some considerations about preservation and archiving of works of electronic literature.

   Daniele Giampà - 12.11.2014 - 19:44