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1. oooxxxooo

   Cycle of interlinked poems, combining ascii art layout with concrete, hypertextual poetry.

   Jill Walker Rettberg - 02.02.2011 - 22:46

2. From ASCII to Cyberspace: A Trajectory in Digital Poetry

   From ASCII to Cyberspace: A Trajectory in Digital Poetry

   Eric Dean Rasmussen - 13.04.2011 - 10:45

3. SWALLOWS

   Written for the Apple IIe in 1985, this work was rescued from the floppy disc by MITH scholar Matthew Kirschenbaum in 2011. According to Digital Currents by Margot Lovejoy, the floppy disc was originally inserted into the back of Zelevansky's print book The Case for the Burial of Ancestors. 

   Jill Walker Rettberg - 19.04.2012 - 02:56

4. SWALLOWS 2.0

   An updated version of his original 1985 work, recreated for the web by the author after Matthew Kirschenbaum rescued the source files from floppy disc.

   Jill Walker Rettberg - 19.04.2012 - 03:00

5. Transient Self-Portrait

   Transient self–portrait is an artistic research project with the aim of creating an interactive piece.
   I take as the point of departure two pivotal sonnets in Spanish literature that are normally studied
   alongside each other, En tanto que de rosa y azucena by Garcilaso de La Vega, a 16th Century
   Spanish poet, using Italian Renaissance verse forms and Mientras por competir con tu cabello by
   Luís de Gongora, a 17th Century Spanish poet from the Baroque period. Gongora’s sonnet is a
   homage to Garcilaso’s and the styles and the cultural aspects that appear on the sonnets are very
   different reflecting the attitudes from the Renaissance and the Baroque.

   Eric Dean Rasmussen - 20.06.2012 - 19:33

6. konkret digital: Interview with Johannes Auer about Concrete Poetry and Net Literature

   Interview with Johannes Auer to be published in Concrete Poetry: An International Perspective. Edited by Claus Clüver and Marina Corrêa. (forthcoming)

   Patricia Tomaszek - 19.07.2012 - 13:59

7. Face Codes

   The Face Codes, taken in Kyoto and Tokyo, are digital video stills that were later reworked and typified using identical parameters. The text running along the lower edge of the image, similar to subtitles in a non-synchronized film, represents the alphanumeric code of the respective image, which has been translated “back” into the Japanese code.

   Source: Hubertus von Amelunxen (on author's project webiste)

   Patricia Tomaszek - 09.10.2012 - 13:41

8. Pé Ponta-Cabeça

   ASCII calligraphy projected on screen.

   Luciana Gattass - 22.11.2012 - 11:59

9. ASCII History of Moving Images

   ASCII versions of familiar films.

   Jill Walker Rettberg - 04.07.2013 - 12:05

10. dhyang.c 2000

    Obfuscated C code.

    Jill Walker Rettberg - 04.07.2013 - 12:33

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