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1. Poemas no meio do caminho

   This  is a combinatory text. There are two versions of the text – two ways of reading it: horizontally and vertically. Both versions allow the reader to save her own textual production, and then to send that production to a weblog. The reader can recombine the text according to the paradigmatic axis of language: the reader selects, the machine morphs/combines. However,  some “obligatory” options resist. By quoting Dante, Poemas no meio do caminho is a metaphor of the reading practice: “poemas no meio do caminho da leitura” (“poems midway upon the journey of reading”). It suggests an ephemeral poetic construction that appears and vanishes in a click. On the one hand these poems destroy the sacredness of the poetic language; on the other they realize the poïesis.This work has won (ex-aequo) the 4t Premi Internacional "Ciutat de Vinaròs" de Literatura Digital.

   Patricia Tomaszek - 13.01.2011 - 17:49

2. Public Secrets

   The expansion of the prison system is possible because it is a public secret - a secret kept in an unacknowledged but public agreement not to know what imprisonment really means to individuals and their communities. As the number of prisons increases, so does the level of secrecy about what goes on inside them. The secret of the abuses perpetrated by the Criminal Justice System and Prison Industrial Complex can be heard in many stories told by many narrators, but only when they are allowed to speak. After a series of news stories and lawsuits documenting egregious mistreatment of prisoners in 1993, the California Department of Corrections imposed a media ban on all of its facilities. This ongoing ban prohibits journalists from face-to-face interviews, eliminates prisoners' right to confidential correspondence with media representatives, and bars the use of cameras, recording devices, and writing instruments in interviews with media representatives. Women incarcerated in California are allowed visits only from family members and legal representatives. Inmates are not allowed access to computers, cameras, tape recorders or media equipment of any kind.

   Eric Dean Rasmussen - 22.02.2011 - 15:27

3. Fitting the Pattern

   Cutting through memories, pinning down facts, stitching fabrications, unpicking the past - an interactive, animated memoir, created in Flash, exploring aspects of my relationship with my dressmaking mother. Life’s mysteries are rarely uncovered by a logical, linear process of deduction. You arrive at answers, ideas, suspicions, intuitions… haphazardly in fragments. Over time you build the picture, piece by piece, shuffling and rearranging, until you start to see a pattern emerging. The structure of Fitting the Pattern attempts to replicate this experience; hence it is a memoir in pieces that the reader can explore, to some extent, in a non-linear fashion. There are certain parallels between my mother’s creative craft process and my own in new media; therefore the visual design of the piece is based on the aesthetics of sewing patterns. These similarities, as well as our differences, are embedded in the digital media and text, literally drawn out through animation and dramatized through interactivity.

   Eric Dean Rasmussen - 02.03.2011 - 13:49

4. Tailspin

   An old man’s tinnitus and partial deafness is a source of friction between him, his daughter and grandchildren yet he stubbornly refuses to contemplate treatment or hearing aids. Karen, the daughter, has always been hurt and mystified by his angry reactions, but the key to his behavior lies deep in the past. Tailspin is a multi-layered, animated fiction, created in Flash, about the intergenerational friction between an old man suffering from tinnitus and his daughter, whose children play noisy handheld games consoles. Sound mixes and animations, some programmed to play randomly, reflect the auditory and emotional disturbances of the characters around the family meal table. Broken dreams, spoilt playtimes, dysfunctional behaviour, malfunctioning machines and the sounds of alarm are both puzzling and distressing as the past splinters the present.
   (Source: Author's description)

   Eric Dean Rasmussen - 02.03.2011 - 13:52

5. Húmus poema contínuo

   Text generator and combinatory poem based on Húmus by Herberto Helder (1967) and Húmus by Raul Brandão (1917).

   Also published in CD-ROM with the book: TORRES, R. (2010). Herberto Helder Leitor de Raul Brandão. Porto, Ed. UFP. ISBN 978-989-643-063-4.

   Rui Torres - 25.11.2011 - 22:24

6. Amor de Clarice (v. 2). Versão Combinatória

   Combinatory version of Amor de Clarice (2005), based on texts and words by Clarice Lispector.

   Rui Torres - 25.11.2011 - 22:41

7. Negro en ovejas (Poema ovino)

   Poem using images and video of sheep wearing words. A voice reads words when the mouse hovers over the appropriate photo.

    

   Jill Walker Rettberg - 28.03.2012 - 10:57

8. Ah (a shower song)

   Ah articulates a simple paradox of reading animated digital literature, which is that the eye, and by extension the mind, often has no sense of the future of a sentence or line of text and, more importantly, is not given the chance to retread an already witnessed word or phrase. Young-Hae Chang Heavy Industry's Dakota is a perfect illustration of this principle. In Ah, the central object of rumination is Einstein, but just as the physicist pondered the numberless variations between the presence of a "1" and "0," this Flash animation brings us back and forth between clever articulations and the ambiguous expressivity of single letters and syllables.

   Marije Koens - 25.07.2012 - 11:47

9. Flash Poems

   The first two of this list of poems stand out because of their use of Flash. Komninos’ approach to Flash in his poem “Beer” is similar to the work he published in animated GIFs: a sequence of words, morphing from one to the next producing surprising and amusing juxtapositions. It is with “Love” (image above) that he took advantage of Flash’s strengths: responsiveness to user input and audio synchonization. “Love” creates a simple interface that triggers some not-lovely sounds when moused over or clicked on. The words readable within its circles are replaced by their opposites, portraying love as a kind of minefield full of triggers that can turn trust into jealousy, heartache into separation, or simply cause pain. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 01.02.2013 - 17:35

10. Sound Seeker

    “Soundseeker” is several things: a Flash tool created by Jhave to synchronize text to sound, a blog that documents the development and fine-tuning of the tool and its interfaces, a blog documentation of an independent study Jhave did “with the guidance and input of Jason Lewis of OBX Labs at Concordia University, Fall 2008,” and it’s a collection of 12 poetic sketches— thinking through writing with these technologies. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 08.02.2013 - 16:24

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