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1. The Good Captain

   The Good Captain is an adaptation of Herman Melville’s novella “Benito Cereno.” Melville’s original story relies upon the main character’s first-person perceptions of the events that unfold in front of him. This reliance on P.O.V. is why I chose to distribute the story using the web service Twitter. Twitter limits updates to 140 characters of text, and so this story is broken up into small, 2-3 line paragraphs. The temporal nature of this storytelling method required that the story include frequent reminders of previous events, to help keep readers aware of the context of the events. This was especially important given that the time span of the bulk of the events is about twelve hours, and the length of time that the story ran for was four months.

   The Good Captain began broadcasting over Twitter on November 3, 2007. It concluded on February 29, 2008.

   Patricia Tomaszek - 11.08.2011 - 16:12

2. What we had has not yet been / Wat we hadden is nog niet geweest

   Originally conceived as an interactive installation for the 2007 Literature and New Media project in the Waag, Amsterdam, this production by Jan Baeke and Alfred Marseille mixes poetry, moving images and sound in a movie directed by words, and talks about memory, longing, the misguided monologue and the importance of the kitchen in modern society.

   Images and sounds are mainly drawn from the Prelinger archives.

   This version is an entirely new English language edit made for the 2011 Beijing Book Fair and also featured at the 2011 Noorderzon festival in Groningen (Netherlands).

   David Prater - 09.11.2011 - 15:43

3. On the Web

   A facsimile of Jack Kerouac's novel On the Road is presented as a scrolling text in the browser, and every occurance of the word "road" has been crossed out and replaced with the handwritten word "web".

   Jill Walker Rettberg - 20.02.2012 - 14:01

4. Killing Lena

   "Killing Lena" is a rendered video series in which Lena Sjööblom's famous face is repeatedly exposed to the compression algorithms she unwittingly helped to develop. The videos presented are compression pornography, the suggestion of a "compressivist art", and a poetic digital demise. The installed version of this piece shows the effect of different recursively applied compression algorithms on the original image, simultaneously on separate screens.

   (Source: 2008 ELO Media Art show)

   Scott Rettberg - 09.01.2013 - 21:15

5. Peurs / Fears

   Peurs / Fears

   Scott Rettberg - 30.01.2013 - 12:19

6. @everyword

   @everyword is a Twitter bot that tweeted every word in the English language, in alphabetical order, one at a time, every half hour. <@everyword started its task in late 2007 and completed it in 2014. Along the way, it picked up over 100,000 followers and inspired dozens of parodies and imitations. The project, initially inspired by John F. Simon's Every Icon, was an exercise in the potential synergies of social media and experimental writing techniques extending over time: What happens when single words, invested with their own lexical context, are juxtaposed with ever-changing, personalized Twitter feeds? How does social media as a channel shape and afford the presentation of writing?

   Leonardo Flores - 20.03.2013 - 17:37