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1. Etang

   Author Statement:

   Patricia Tomaszek - 10.03.2011 - 12:13

2. l0ve0ne

   L0ve0ne (Eastgate Web Workshop) was first told as an additive social networked story, on the Interactive Conference on Arts Wire, beginning in the fall of 1994. Each lexia was posted as a separate entry on the conferencing system. Portions of L0ve0ne were ported in different forms in servers all over the country, including the Arts Conference on The WELL. The story integrates hacker culture, early Internet technologies, a German "road trip"; and a love story that continues in Malloy's The Roar of Destiny.  The first person is used, as it is in many of Malloy's other works, as a narrative device that not only effects the telling, in that it allows the writer to disclose the details of the main character's life in an intimate way, but also effects the reading, in that it situates the reader directly in the main character's life and environment.

   Eric Dean Rasmussen - 14.03.2011 - 11:37

3. The Ed Report

   The Ed Report is a hypertextual US government document, describing the covert military exploits of a technical writer named Ed. (The coincidentally-named Ed Commission produced this once top-secret report.) Epic hero Ed leaves off his ordinary life - in which he writes software documentation, takes care of his autistic younger brother, and pursues early Near Eastern scholarship - as he is pressed into service as an Akkadian code-talker during an undercover operation in Colombia.

   Eric Dean Rasmussen - 14.03.2011 - 12:34

4. exquisite_code

   exquisite_code is an algorithmic performance system for heterogeneous groups of writers. The writers generate prompts and responses for var1 minute session at the end of which computational devices select/mangle text according to var2 edit. Mangled text outputs get displayed to writers who, in unrelenting sessions, generate further prompts and responses, with chunk on chunk piled up to create a c[ad]aver[n]ous exquisite_code life-work.

   (Source: Work website.)

   Eric Dean Rasmussen - 14.03.2011 - 13:38

5. Marginalia in the Library of Babel

   "Marginalia in the Library of Babel" presents a metafictional, metahypertextual narrative about one man's discovery of his ability to write in the margins of the Internet, to finally make his marks on the infinite network, marks that will ultimately lead to his erasure.

   The piece is written through annotations written upon web pages archived from the Internet all related to Borges and the many implementations of his work, partial and abandoned though they be, that litter the Internet.

   (Source: Author's description)

   Mark Marino - 14.03.2011 - 22:31

6. Stravinsky's Muse

   "Stravinsky's Muse" is a flash-based hypertext that offers a lexical sphere as a set of dials for accessing the narrative via the semantic constructs in the mind of its protagonist, Stravinsky Jones.  Each segment of narrative is complemented by a definition of one of the chosen terms in the form it takes in Jones' lexicon.

   Mark Marino - 14.03.2011 - 22:49

7. Los Wikiless Timespedia

   A satirical take on the Wikitorial debacle, when the Los Angeles Times opened up a wiki for opinions, letters to the editor, and opinion pieces. In this Bunk Magazine feature, The Los Angeles Times decides to repair the damage by going whole hog—transferring to an entirely wiki form, demonstrating their web-savvy might and giving the paper to the people.

   Mark Marino - 14.03.2011 - 23:05

8. Plaintext Performance

   It's a live writing performance over the net combining 1) keyboard writing, 2) machinated, algorithmic writing, and 3) feeds from the processes surrounding the writing (like system monitoring, net connection monitoring, ftp log, etc). All in realtime and plaintext. It was performed live at the BIOS symposium, Center for Literary Computing, West Virginia University, September 2006, with a unix ytalk session as a sideshow. The static version shown here is based on the exhibition "e and eye - art and poetry between the electronic and the visual" at Tate Modern, London, October 2006. It's part of a series of work called "protocol performances". 'Protocol' is meant both as a lower level set of rules of the format of communication, and as statements reporting observations and experiences in the most fundamental terms without interpretation, relating it to phenomenological 'noemata' - thought objects, and thus identifying a data stream with a stream of consciousness. 'Performance' is meant both as a data protocol's physical performance as much as its play on the meaning as an artist-centric execution of work.

   Eric Dean Rasmussen - 16.03.2011 - 10:31

9. Scholarly Publishing of Hypertext, the Case of "The Victorian Web"

   George Landow discussed the development of The Victorian Web, an online resource hosted by Brown University, for the study of Victorian literature, and its relation to his scholarship on hypertext.

   Eric Dean Rasmussen - 16.03.2011 - 11:50

10. Perdersi

    “Loss of Grasp” recreates the loss of self-control. What happens when one has the impression of losing control in life, of losing control of his/her own life? Six scenes tell the story of a man that is losing himself. “Loss of Grasp” plays with the self-control and the loss of self-control and invites the reader to experiment with these feelings in an interactive work.

    Patricia Tomaszek - 16.03.2011 - 12:03

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