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1. Rhetorics of Surface and Depth in Digital Poetry

   This paper explores the rhetoric of surface and depth in two different kinds of digital poetry. Kinetic and time-based compositions, such as John Cayley’s “overboard” and “lens”, explore new parameters of visual and spatial representation – the ‘complex surface’ of the digital screen. The other type of digital works, the so-called ‘codeworks’, such as “%Location” by JODI, thematise the underlying technological prerequisites and specificities of the medium. Both sets of examples upset and challenge established conceptions of depth and surface. (Source: RiLUnE, no. 5, 2006: http://www.rilune.org/mono5/1_sommaire_resumes.pdf)

   Alvaro Seica - 05.05.2015 - 15:57