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Too Many Notes: Computers, Complexity and Culture in Voyager
The author discusses his computer music composition, Voyager, which employs a computer-driven, interactive “virtual improvising orchestra” that analyzes an improvisor’s performance in real time, generating both complex responses to the musician’s playing and independent behavior arising from the program’s own internal processes. The author contends that notions about the nature and function of music are embedded in the structure of software-based music systems and that interactions with these systems tend to reveal characteristics of the community of thought and culture that produced them. Thus, Voyager is considered as a kind of computer music-making embodying African-American aesthetics and musical practices.
Hannah Ackermans - 29.03.2016 - 16:28
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music/sound/noise
music/sound/noise is an ebr thread.
Thread editor from 2006-07: Trace Reddell. MusicSoundNoise was initiated in the winter of 2000/01 by Cary Wolfe and Mark Amerika. msn logo and animation created by Cynthia Jacquette.
(Source: ebr)
Pål Alvsaker - 12.09.2017 - 14:48
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Lexia to Perplexia:
hypertext? cybertext? hypermedia? webart? while new media critics debate the terms, Talan Memmott has produced the thing itself, a creative use of applied technology.
(Source: ebr)
Lisa Berwanger - 17.10.2017 - 15:28
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The Reality of the Mass Media. Translated by Kathleen Cross
The Reality of the Mass Media. Translated by Kathleen Cross
Glenn Solvang - 07.11.2017 - 15:30
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Criers & Kibitzers, Kibitzers & Criers
Criers & Kibitzers, Kibitzers & Criers
Glenn Solvang - 09.11.2017 - 13:07
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The Magic Kingdom
The Magic Kingdom
Glenn Solvang - 09.11.2017 - 13:14
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Simulacrum America: The USA and the Popular Media
Simulacrum America: The USA and the Popular Media
Glenn Solvang - 09.11.2017 - 13:22
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Urs Schreibers "Das Epos der Maschine": Wenn konkrete Poesie digital wird
Urs Schreibers "Das Epos der Maschine": Wenn konkrete Poesie digital wird
Patricia Tomaszek - 23.07.2018 - 16:30
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Code and Other Laws of Cyberspace
Code and Other Laws of Cyberspace is a 1999 book by Lawrence Lessig on the structure and nature of regulation of the Internet.
The primary idea of the book, as expressed in the title, is the notion that computer code (or "West Coast Code", referring to Silicon Valley) regulates conduct in much the same way that legal code (or "East Coast Code", referring to Washington, D.C.) does. More generally, Lessig argues that there are actually four major regulators (Law, Norms, Market, Architecture) each of which has a profound impact on society and whose implications must be considered (sometimes called the "pathetic dot theory", after the "dot" that is constrained by these regulators.)
Ana Castello - 02.10.2018 - 18:48
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Open-work: Dining at the Interstices
Open-work: Dining at the Interstices
Ana Castello - 09.10.2018 - 12:54