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Digital Literature and the Digital
In this article, the approach to the Digital is based on the distinction between three levels: a theoretical level, an applicative level and an interpretative level. Now digital literary works play on the tensions between the three levels and allow these tensions to be highlighted. Studying the conjunction of the Digital and of literary creation – by analysing digital literary works – thus proves to be relevant. Looking into the specific properties of the Digital can throw light on the potentialities of digital literature; in the same way, digital literature can act as a revealer for the Digital.
Serge Bouchardon - 17.06.2011 - 12:09
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Connecting Memories: Contextualizing Creative Research Practice
Connecting Memories: Contextualizing Creative Research Practice
Scott Rettberg - 17.06.2011 - 12:09
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The Electronic Literature Directory
The Electronic Literature Directory
Eric Dean Rasmussen - 24.06.2011 - 12:33
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"I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext
"I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext
Eric Dean Rasmussen - 24.06.2011 - 16:17
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Anderes als Kunst: Ästhetik und Techniken der Kommunikation
Anderes als Kunst: Ästhetik und Techniken der Kommunikation
Jörgen Schäfer - 28.06.2011 - 13:28
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Netzliteratur: Umbrüche in der literarischen Kommunikation
Netzliteratur: Umbrüche in der literarischen Kommunikation
Jörgen Schäfer - 28.06.2011 - 14:01
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Verteiltes literarisches Handeln: Vorüberlegungen zu einer Theorie der Literatur in computerbasierten Medien
Verteiltes literarisches Handeln: Vorüberlegungen zu einer Theorie der Literatur in computerbasierten Medien
Jörgen Schäfer - 28.06.2011 - 14:22
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Etudes de linguistique appliquée
Etudes de linguistique appliquée
Alexandra Saemmer - 03.07.2011 - 16:12
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Digital Literature—A Question of Style
For some time, critics tried to circumscribe the “novelty” of digital literature in rather generalist terms, either taking into account its relation to literary avant-gardes or focalizing on its technical features; these theoretical approaches were often blind to contents. Now that digital literature seems more and more aesthetically convincing, the time has come to define its stylistic features with more precision. In order to circumscribe the poetics of interaction, some authors tested the validity of the classical figures of style. It is, however, probably dangerous to use classical rhetorical terms intended to characterize textual phenomena, whereas the signs of digital text almost constantly refer to different semiotic systems (including the visual one). In the following pages of this article, I will sometimes continue to borrow from conventional taxonomies to describe the stylistic devices of digital literature, and I will try in other cases to invent a new terminology in order to avoid foolhardy analogies.
Alexandra Saemmer - 03.07.2011 - 16:37
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Digital Literature—In Search of a Discipline ?
Academic research on digital literature was initiated many years ago; researchers and teachers like Jean-Pierre Balpe and Jean Clément at University Paris 8 have provided major contributions to the understanding of electronic poetry, hyperfiction and text generation. They have also managed to integrate digital literature into university courses in Information and Communication Sciences. But most of the Departments of Literature have not supported these educational experiments. Whereas a certain number of specific literary methods undoubtedly prove suitable for the analysis of poetry and narrative texts in electronic media (semiotics, gender and cultural studies, biographical or even thematical approaches), literary studies in France are quite reluctant to deal with digital literature. The ambiguous status of digital works, between literature, visual and performing arts, does not facilitate their integration into one specific discipline either. Thanks to its many specificities—including hypermedia—digital literature involves many creative and interpretative abilities, from film analysis to programming, from rhetoric to sound engineering.
Alexandra Saemmer - 03.07.2011 - 16:43
