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1. Documenting Electronic Literature and Digital Art in an Open-Access Online Database

   Documenting Electronic Literature and Digital Art in an Open-Access Online Database

   Eric Dean Rasmussen - 18.04.2012 - 14:35

2. A Bibliographic Overview of Electronic Literature

   A bibliography of electronic-literature scholarship, created by Amanda Starling Gould and published in the Electronic Literature Directory.

   The rapid emergence of this field necessitates a smartly curated beginners’ guide. This essay seeks to provide such by reviewing recent works that we feel represent an effective overview of current electronic literature (e-lit) scholarship. Sketching a durable architecture of critical contemporary e-lit texts is no easy task as both the pasts and the futures of the field are in dynamic shift and flow. In the service of putting forth a practical bibliography of e-lit scholarship, we here foreground the historical lineages (its disputed pasts) to focus primarily on the contemporary questions, conversations, critiques and critical theories that point toward its potential futures.

   (Source: article).

   Eric Dean Rasmussen - 23.04.2012 - 10:15

3. Digital Magic: Preservation for a New Era

   Kirschenbaum makes an "argument for the importance of digital preservation while describing how how he accessed SWALLOWS via an Apple // emulator and then provided Zelevanksy with the original .dsk file from which he then created a new version of SWALLOWS (with audio and video clips mixed in) called G R E A T . B L A N K N E S S" (Source: adapted from post at loriemerson.net).

   Eric Dean Rasmussen - 25.04.2012 - 08:55

4. Performance and the Digital Text

   Introductory remarks to the ELMCIP Seminar on Digital Text with/in Performance, hosted by University College Falmouth at the Arnolfini, Bristol.

   Eric Dean Rasmussen - 30.04.2012 - 11:12

5. Machinic Performance

   Machinic Performance

   Eric Dean Rasmussen - 30.04.2012 - 11:18

6. Frontiers of Electronic Literature

   Mainstream and avant-garde poets and fiction writers have been exploring the literary potential of the computer for decades, creating work that goes far beyond today's e-books. The creators of electronic literature have developed new interface methods, new techniques for collaboration, and new ways of linking language, computing, and other media elements. How has electronic literature influenced other media, including the Web and the book? What are the implications of having literary projects in the digital sphere alongside other forms of communication and art?

   (Event abstract)

   Eric Dean Rasmussen - 01.05.2012 - 08:57

7. Performance of Code: Jörg Piringer in Conversation with J. R. Carpenter

   Performance of Code: Jörg Piringer in Conversation with J. R. Carpenter

   Eric Dean Rasmussen - 02.05.2012 - 10:24

8. Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe

   Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe

   Eric Dean Rasmussen - 02.05.2012 - 12:04

9. Touch and Gesture as Aesthetic Experience: Performing 5 Apps

   Touch and Gesture as Aesthetic Experience: Performing 5 Apps

   Eric Dean Rasmussen - 02.05.2012 - 12:08

10. Jesurun's Digitalist Firefall: Staging the Analogical Relation as Cognitive Performance

    Jesurun's Digitalist Firefall: Staging the Analogical Relation as Cognitive Performance

    Eric Dean Rasmussen - 02.05.2012 - 15:26

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