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Io Sono at Swoons
Io Sono at Swoons
Eric Dean Rasmussen - 30.05.2011 - 15:56
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3 Proposals for Bottle Imps
3 Proposals for Bottle Imps
Eric Dean Rasmussen - 30.05.2011 - 15:59
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Time, Code, Language: New Media Poetics and Programmed Signification
Time, Code, Language: New Media Poetics and Programmed Signification
Eric Dean Rasmussen - 30.05.2011 - 16:01
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Adventures in Mot-Town
In his State of the Arts keynote, Coover offered a tour of a number of contemporary works of electronic literature, in the style of an adventure story following our hero "Mot" -- the word -- as it wrestles through the multimediated world of graphic networked technologies.
Scott Rettberg - 30.05.2011 - 16:17
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The World Wide Future of Book Publishing
The publisher of the New York Review of Books considers the role of print-on-demand technologies and internet based distribution models in transforming the contemporary print publishing industry.
Scott Rettberg - 30.05.2011 - 16:43
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Digital Gestures
Digital Gestures
Eric Dean Rasmussen - 30.05.2011 - 21:03
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Poetics in the Expanded Field: Textual, Visual, Digital . . .
Poetics in the Expanded Field: Textual, Visual, Digital . . .
Eric Dean Rasmussen - 30.05.2011 - 21:10
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Language Writing, Digital Poetics, and Transitional Materialities
Language Writing, Digital Poetics, and Transitional Materialities
Eric Dean Rasmussen - 30.05.2011 - 21:18
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Vniverse
The authors of Vniverse present the work Vniverse and explore the concepts of interactive reading and social reading spaces.
Eric Dean Rasmussen - 30.05.2011 - 21:23
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From Revisi(tati)on to Retro-Intentionalization
From the article: Since its inception in the late 1980s, digital literature has come a long way. It has seen groundbreaking technological changes and advances, which have taken it from a largely script-based, off-line medium to a prolific multimedia, interactive and ludic form of verbal and artistic expression, which is making use of a variety of online and offline forms of communication and representation. By the same token, genre boundaries are increasingly blurring between literature, art, digital film, photography, animation, and video game. That said, I contend that we can only use the term “digital literature” if and when the reception process is guided if not dominated by “literary” means, i.e. by written or orally narrated language rather than sequence
Patricia Tomaszek - 15.06.2011 - 19:00