Search

The search found 87 results in 0.016 seconds.

Search results

1. The Time of Digital Poetry: From Object to Event

   The Time of Digital Poetry: From Object to Event

   Eric Dean Rasmussen - 30.05.2011 - 10:58

2. Looking Behind the Façade: Playing and Performing an Interactive Drama

   Looking Behind the Façade: Playing and Performing an Interactive Drama

   Jörgen Schäfer - 28.06.2011 - 14:33

3. Archivability of Electronic Literature in Context

   Archivability of Electronic Literature in Context

   Jörgen Schäfer - 08.07.2011 - 10:50

4. Nonlinearity and Literary Theory

   Originally published in Hyper/Text/Theory, Rpt. in The New Media Reader.

   Eric Dean Rasmussen - 12.09.2011 - 08:07

5. All Together Now: Hypertext, Collective Narrative, and Online Collective Knowledge Communities

   Revision of essay previously titled "All Together Now: Collective Knowledge, Collective. Narratives, and Architectures of Participation."

   This essay explores the history and methodologies of collective narrative projects, and their relationship to collective knowledge projects and methodologies. By examining different forms of conscious, contributory, and unwitting participation, the essay develops a richer understanding of successful large-scale collaborative projects. The essay then examines large-scale architectures of participation in Wikipedia and Flickr to extrapolate from those observations potential methodologies for the creation of collective narratives.

   Scott Rettberg - 14.10.2011 - 13:01

6. Reading Digital Literature: A Subject Between Media and Methods

   Simanowksi's overview essay describes the agenda of part one, "Reading Digital Liteature" of the Reading Moving Letters collection: to gather semiotic readings of digital literature that provide future readers of these varied aesthetic forms with sophisticated theoretical and methodological tools for intepretation. While doing so, it provides short glosses of key concerns addressed in the essays from this section. One overarching concern is how to strike the correct critical balance when reading literary works in which natural language is often subsumed by other semiotic flows: how can the critical reader address medial specificity without sacrificing an interest in a work's linguistic properties, which, traditionally, have been at the forefront of literary study? Like much of Simanowksi's critical writing on digital literature, the essay aims to enable scholars and critics to produce meaningful, analytic interpretations of works of digital literature, rather than simply empirical descriptions of their functional interactions.

    

   Eric Dean Rasmussen - 05.12.2011 - 10:30

7. Lector in machina

   Lector in machina

   Sandra Hurtado - 06.12.2011 - 11:58

8. Is There a Text on This Screen? Reading in an Era of Hypertextuality

   Is There a Text on This Screen? Reading in an Era of Hypertextuality

   Eric Dean Rasmussen - 07.02.2012 - 11:56

9. The Cut-Up Method of Brion Gysin

   The Cut-Up Method of Brion Gysin

   Meri Alexandra Raita - 11.02.2012 - 11:35

10. From Synesthesias to Multimedia: How to Talk about New Media Narrative

    An argument for a multimedia narratology that accounts for both relationships between media within a digital work and how work positions itself within a larger media multiplicty. Punday develops his argument in part through a reading of the multimedia aesthetic in Talan Memmott's Lexia to Perplexia.

    Eric Dean Rasmussen - 08.04.2012 - 09:12

Pages