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The Presumed Literariness of Digital
This presentation will challenge the current, too quickly determined relationship between
the ‘literary’ and digital media. The presumed literariness of digital art--these days, anything
from performance art to virtual sculpture work--muddles the already confused and meandering
genre of electronic literature, leading away from acts of reading and remarking on text and its location in new media. Electronic literature began as a study of literary writing produced and
meant to be read on a computer screen, opening up new possibilities for interactive and dynamic
storytelling, utilizing the new medium’s ability for linking lexias. The literariness of this work
is manifest: the work was primarily textual, the centrality of reading paramount. Textuality was
at the heart of the work, thus the term electronic literature was appropriate and uncontested.
Lately, ‘electronic literature’ is an umbrella-term for all things digital. A spectrum of genres
and forms are included, among them video games, interactive fiction, digital art, and (virtual)Eric Dean Rasmussen - 19.06.2012 - 14:41
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The (Problematic) Issue to Evaluate Literariness: Digital Literature Between Legitimation and Canonization
The first experiments in digital literary forms started as early as
the 1960s. From then, up to the mid-90’s, was a period that,
according to Chris Funkhouser (2007), can be considered as
a ‘laboratory’ phase. The rise of the Internet has resulted in the
proliferation of creative proposals. The first involves indexing
creative works in the form of databases, sometimes giving access
to hundreds of works without any hierarchical order. Since 2000,
digital literature has been experiencing a new phase, marked by
the creation of anthologies. Over the years, the evaluation and
selection criteria have proved to be as problematic as they are
necessary for these projects. The main issue of this paper is to
provide a critical discussion of these criteria.Eric Dean Rasmussen - 22.06.2012 - 16:40