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  1. Reading Writing Interfaces by Lori Emerson

    Lori Emerson's Reading Writing Interfaces is a media archeology of the interface. A critique of the "invisible" interface, the "magic" of iOS that "just works," Emerson analyzes how interfaces promote or occlude human agency in computational environments. Anti-telelogical in order to interrupt the "triumphalist" narratives of progress that can characterize much writing about media, Reading Writing Interfaces stages its four chapters and postscript ("The Googlization of Literature") as "ruptures" to emphasize failure as a key element of media development.

    Kathi Inman Berens - 19.09.2014 - 16:49

  2. Alire; Um Histórico

    Neste texto, Philippe Bootz apresenta uma síntese da história e filiações da poesia eletrônica na França, enfatizando as tendências e o significativo papel da "poesia animada". O autor se concentra na vanguarda do grupo L.A.I.R.E. e da revista Alire, ambos fundados por ele e Tibor Papp em 1988 e 1989, respectivamente. Ainda para esse poeta e pesquisador, a literatura eletrônica também tem uma história própria. Essa história é um objeto de debate e posicionamento dentro de um campo de conhecimento, particularmente francês.

    (Fonte: Resumo do Autor)

    Alvaro Seica - 24.09.2014 - 16:15

  3. Selvbilder

    Lecture with Siri Meyer on self-representation from the Renaissance to social media.

    Alvaro Seica - 26.09.2014 - 18:13

  4. Time and Temporality in Digital Fictions

    The exceptional quality of digital fictions lies in their inherently dynamic nature, how they may be flexibly programmed to generate new content and alter the already existing contents. This adds a new temporal level, compared to traditional fictions. Already the history of digital fictions (both digital literature and games) presents us with a variety of temporal practices which challenge the conventional ways of understanding fictional time.
    We have at least the following four temporal levels for digital fictions with narrative content:

    1. user time (the time the user spends using the work)
    2. discourse time (the time of the narrative discourse)
    -pseudo time
    -true time
    3. story time (the time of the fictional events)
    4. system time (the time of the digital system states)

    Alvaro Seica - 13.11.2014 - 13:33

  5. Automated Diaries and Quantified Selves

    Automated Diaries and Quantified Selves

    Alvaro Seica - 13.11.2014 - 23:17

  6. Complications of Narrative Time in Electronic Literature

    Complications of Narrative Time in Electronic Literature

    Alvaro Seica - 13.11.2014 - 23:19

  7. Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics in Code

    Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics in Code

    Jill Walker Rettberg - 29.12.2014 - 17:56

  8. Between Text, Video and Performance: Landscape in Pamela Brown’s ‘Ireland Unfree’

    Between Text, Video and Performance: Landscape in Pamela Brown’s ‘Ireland Unfree’

    Anne Karhio - 22.01.2015 - 14:54

  9. From page to screen: The Poetry Project and the poetics of landscape

    In 2013, as a part of the Culture Programme of Ireland’s EU presidency, The Poetry Project was set up by the Kinsale Arts Festival in partnership with Poetry Ireland and the Royal Hibernian Academy. In the project, poems by established and emerging Irish poets were coupled with works by Irish video artists. The resulting collaborative works were published each week, for nine months, on the project website and emailed to recipients in Ireland and in more than one hundred countries around the world. This presentation focused on how the verbal, visual and auditory elements of the works published within The Poetry Project simultaneously enact and reflect the challenges and discontinuities related to representations of place, space and landscape in the poetry of the digital era.

    Anne Karhio - 29.01.2015 - 17:09

  10. The Digital Reception of a Hundred Thousand Billion Poems

    The Digital Reception of a Hundred Thousand Billion Poems

    Alvaro Seica - 29.01.2015 - 17:13

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