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1. Too Dimensional: Literary and Technical Images of Potentiality in the History of Hypertext

   Too Dimensional: Literary and Technical Images of Potentiality in the History of Hypertext

   Meri Alexandra Raita - 13.02.2012 - 19:19

2. Sprachen der Lyrik: Von der Antike bis zur digitalen Poesie

   Sprachen der Lyrik: Von der Antike bis zur digitalen Poesie

   Jörgen Schäfer - 17.02.2012 - 13:03

3. Digitale Poesie

   Digitale Poesie

   Jörgen Schäfer - 17.02.2012 - 13:03

4. Enlightening Interactive Fiction: Andrew Plotkin’s Shade

   Enlightening Interactive Fiction: Andrew Plotkin’s Shade

   Meri Alexandra Raita - 03.03.2012 - 19:47

5. ‘Inept at reading : relationship’ - La relation hypertextuelle en question dans les Diagram Poems Series #3 de Jim Rosenberg

   ‘Inept at reading : relationship’ - La relation hypertextuelle en question dans les Diagram Poems Series #3 de Jim Rosenberg

   Arnaud Regnauld - 05.03.2012 - 15:02

6. Transdisciplinary Digital Art: Sound, Vision and the New Screen.

   Transdisciplinary Digital Art: Sound, Vision and the New Screen.

   Carolyn Guertin - 20.06.2012 - 19:27

7. Beyond The Threshold: The Dynamic Interface as Permeable Technology

   Beyond The Threshold: The Dynamic Interface as Permeable Technology

   Carolyn Guertin - 20.06.2012 - 19:29

8. All The Rage: The Digital Body and Deadly Play in the Age of the Suicide Bomber

   All The Rage: The Digital Body and Deadly Play in the Age of the Suicide Bomber

   Carolyn Guertin - 20.06.2012 - 19:53

9. Hyperrhiz 05: Move

   Hyperrhiz 05: Move

   Helen Burgess - 20.06.2012 - 19:56

10. NURBS theory | conceptualizing cultural processes: from discrete categories to continuous curves

    The explosion of new ideas and methods in cultural disciplines from the 1960s did not seem to affect the presentation cultural processes in practice. Books and museums devoted to art, design, media, and other cultural areas continue to arrange their subjects into small numbers of discrete categories: periods, artistic schools, -isms, cultural movements. The chapters in a book and rectangular rooms of most museums act as material dividers between these categories. A continuously evolving cultural "organism" is forced into artificial boxes.

    Luciana Gattass - 24.10.2012 - 12:25

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