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1. Dada2Data

   Dada2Data

   Chris Joseph - 27.06.2012 - 07:31

2. From Instrumental Texts to Textual Instruments

   From Instrumental Texts to Textual Instruments

   Patricia Tomaszek - 09.10.2012 - 13:27

3. Concrete Poetry in Analog and Digital Media

   Concrete Poetry in Analog and Digital Media

   Patricia Tomaszek - 05.11.2012 - 14:58

4. Webfictions: Zerstreute Anwesenheiten in elektronischen Netzen

   Webfictions: Zerstreute Anwesenheiten in elektronischen Netzen

   Jörgen Schäfer - 07.11.2012 - 16:11

5. Kommunikation und Fiktion: Vom Schreiben und Lesen von Literatur im Internet

   Kommunikation und Fiktion: Vom Schreiben und Lesen von Literatur im Internet

   Jörgen Schäfer - 13.11.2012 - 15:22

6. E-Poetry 2003: An International Festival of Digital Poetry (Trip Report)

   E-Poetry 2003: An International Festival of Digital Poetry (Trip Report)

   Scott Rettberg - 30.01.2013 - 13:37

7. Kjærstad, hyperroman og hieroglyffer

   Jan Kjærstads seneste roman Tegn til Kærlighed handler om at finde de magiske skrifttegn, som fører til kærlighedens lige så magiske kraftfelt. Bogen går amok i bogstavernes taktile verden og deres religiøse betydningsindhold. Samtidig er romanens sætninger fyldt med ladede detaljer, hvor næsten hvert ord rummer en “linkmulighed”. Karen Wagner trækker i sit essay tråde til Kjærstads egne overvejelser om romanen i internettets tidsalder - og til den netop udkomne danske udgave af Nøgle til de ægyptiske hieroglyffer.

   Mer av Wagners skrivning om hieroglyffer: http://www.afsnitp.dk/aktuelt/12/hieroglyffernesg.html

   Sissel Hegvik - 29.04.2013 - 00:20

8. 'This is Not a Game': Immersive Aesthetics and Collective Play

   'This is Not a Game': Immersive Aesthetics and Collective Play

   Jill Walker Rettberg - 12.06.2013 - 15:15

9. Face It, Tiger, You Just Hit the Jackpot: Reading and Playing Cadre’s Varicella

   ABSTRACT: We consider a specific character, Princess Charlotte, in the 1999 interactive fiction work Varicella by Adam Cadre. To appreciate and solve this work, the interactor must both interpret the texts that result (as a literary reader does) and also operate the cybertextual machine of the program, acting as a game player and trying to understand the system of Varicella’s simulated world. We offer a close reading focusing on Charlotte, examining the functions she performs in the potential narratives and in the game. Through this example, we find that in interactive fiction — and we believe in other new media forms with similar goals — works must succeed as literature and as game at once to be effective. We argue that a fruitful critical perspective must consider both of these aspects in a way that goes beyond simple dichotomies or hierarchies.

   Jill Walker Rettberg - 02.07.2013 - 23:06

10. Justin Hall and the Birth of the 'Blogs

    Wittig describes his experience of Justin Hall's links.net and considers the weblog as a serial narrative form.

    Scott Rettberg - 05.07.2013 - 14:07

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