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1. Networks, Margins and Centres

   Networks, Margins and Centres

   Simon Biggs - 21.09.2010 - 11:18

2. Multimedia Criticism

   Commentary on the Multimedia Criticism panel discussion at the Electronic Literature Symposium: State of the Arts (2002). Robert Kendall moderated the panel. Rita Raley, Joseph Tabbi, Thomas Swiss, and Jane Yellowlees Douglas were the panelists.

   Eric Dean Rasmussen - 22.02.2011 - 15:52

3. Cybertext Yearbook 2002-2003

   Full contents of this issue are available for download as PDF files at the Cybertext Yearbook Database.

   Eric Dean Rasmussen - 07.04.2011 - 10:54

4. Body Webs: Re/constructing Boundaries in Shelley Jackson’s Patchwork Girl

   Body Webs: Re/constructing Boundaries in Shelley Jackson’s Patchwork Girl

   Jill Walker Rettberg - 22.05.2011 - 13:44

5. Inner Workings: Code and Representations of Interiority in New Media Poetics

   'Inner Workings' addresses itself to the methods, properties and practices of writing systems, including human writing systems, whose very signifiers are programmed. What does programmed signification tell us about the inner human writing machine? John Cayley's essay participates in relevant metacritical and metapsychological discussions - reexamining Freud's Mystic Writing Pad in particular - and is specifically sited within the context of debates on code and codework in literal art. Rather than revealed interiority, code is the archive and guarantee of inner workings than reside beneath the complex surfaces of poetics in programmable media.

   Patricia Tomaszek - 27.05.2011 - 23:29

6. Process Window: Code Work, Code Aesthetics, Code Poetics

   The Process Window contains general information about the state of the process, with a summary of its current threads and their states.

   Patricia Tomaszek - 27.05.2011 - 23:44

7. Poetics of Dynamic Text

   Dynamic texts offer new possibilities for reading and new challenges in how we approach the reading object, forcing the final object away from the idea of a fixed form on a fixed surface. In order to "read" such an object, one must look deeper, into the code itself, and one must consider the various ramifications inherent in a code-based work. Ultimately, one must explore the edge where language apparatuses engage.

   Patricia Tomaszek - 28.05.2011 - 00:02

8. Coding the Infome: Writing Abstract Reality

   Because of their specific history, we think of computer languages and code as symbolic abstractions of natural languages, and computers as universal machines manipulating these symbols. However, today every computer exists in relation to the Internet, whether it is connected or not. Every software is potentially a networked software, a building block of the networks we live within and through. Because of this, code is no longer Text, a symbolic representation of reality - it is reality. To write code is to create and manipulate this reality. Within it, artist-programmers are more land-artists than writers, software are more earthworks than narratives, this creates new and fascinating issues in terms of referentiallity and meaning for the coding artist to delve into.

   Patricia Tomaszek - 28.05.2011 - 00:14

9. Electronic Literature: Its Types and Some Examples

   Electronic Literature: Its Types and Some Examples

   Dene Grigar - 06.10.2011 - 07:12

10. Hypertext Criticism: Writing about Hypertext

    Introduction to a special issue on Hypertext Criticism.

    Jill Walker Rettberg - 16.11.2011 - 12:18

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