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Literary Art in Digital Performance: Case Studies in New Media Art and Criticism
Literary Art in Digital Performance examines electronic works of literary art, a category integrating the visual+textual including interactive poetry, narrative computer games, filmic sculpture, projective art, and other works specific to digital media. In recent decades, electronic art's aesthetic has been driven by new algorithmic, randomized, and emergent processes. Although this new art differs from material art or print literature, the rise of popular fascination with new media has neglected signifcant discussion of how technical mediation impacts contemporary art and literature. Presented as a collection of case studies by leading scholars, the book provides a contemporary optic on this art's forms, problems, and possibilities. Each case study is followed by a post-chapter dialogue where the editor engages authors on the foundational aesthetics of new media art and literature.
Table of Contents
1. Introduction: Juncture and Form in New Media Criticism, Francisco J. Ricardo
2. What is and Toward What End do We Read Digital Literature?, Roberto Simanowski Post-Chapter Dialogue, Simanowski and Ricardo
Eric Dean Rasmussen - 31.01.2011 - 10:01
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Introduction: Juncture and Form in New Media Criticism
Introduction: Juncture and Form in New Media Criticism
Eric Dean Rasmussen - 31.01.2011 - 11:37
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What is and Toward What End Do We Read Digital Literature?
What is and Toward What End Do We Read Digital Literature?
Eric Dean Rasmussen - 31.01.2011 - 11:39
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Rita Raley
Rita Raley is Associate Professor of English, with courtesy appointments in Film and Media Studies, Comparative Literature, and Global Studies at the University of California, Santa Barbara (UCSB). Her primary research interests lie at the intersection of digital media and humanist inquiry, with a particular emphasis on cultural critique, artistic practices, and language (codework, machine translation, electronic literature, and electronic English). Her book, Tactical Media, a study of new media art in relation to neoliberal globalization, has been published by the University of Minnesota Press in its “Electronic Mediations” series. Her most recent publications include the co-edited Electronic Literature Collection, Volume 2, as well as articles on poetic and narratological uses of mobile and locative media and text-based media arts installations.
Eric Dean Rasmussen - 31.01.2011 - 11:59
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List(en)ing Post
Raley's essay is a careful and descriptive reading of Hansen and Rubin's interactive installation "Listening Post" paying particular attention to complexities of reading a textual work based on live information feeds contributed by an anonymous crowd, a literary work that is perceived as a live embodied experience in a multisensoral "polyattentive" environment.
Eric Dean Rasmussen - 31.01.2011 - 12:04
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N. Katherine Hayles
Katherine Hayles is Distinguished Professor of English and media studies at the University of California, Los Angeles. Her research interests concern topics related to literature and science in the 20th and 21st century; 20th and 21st century American fiction; electronic textuality, hypertext fiction and theory; science fiction; literary theory; and media theory. With degrees in both chemistry and English literature, Hayles is one of the foremost scholars of the relationship between literature and science in the late twentieth century. She is the author six books, including How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (1999), which won the Rene Wellek Prize for the Best Book in Literary Theory for 1998-1999; and Writing Machines (2001), which won the Suzanne Langer Award for Outstanding Scholarship. Her most recent book is Electronic Literature: New Horizons for the Literary (2007).
Eric Dean Rasmussen - 31.01.2011 - 12:55
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Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work
Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work
Eric Dean Rasmussen - 31.01.2011 - 12:57
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Stephanie Strickland
Stephanie Strickland’s 10 books of poetry include How the Universe Is Made: Poems New & Selected (2019) and Ringing the Changes (2020), a code-generated project for print based on the ancient art of tower bell-ringing. Other books include Dragon Logic and The Red Virgin: A Poem of Simone Weil.
Strickland’s 12 collaborative digital works include slippingglimpse, a poem that maps text to Atlantic wave patterns; the Vniverse app for iPad, interactive companion to the print V : WaveTercets / Losing L’una; Sea and Spar Between, a poem generator paired with Duels—Duets, a companion generator reflecting on Sea and Spar’s composition and paired also with cut to fit the toolspun course, the Sea and Spar code glossed.
Recent work includes Liberty Ring! (2020), interactive companion to Ringing the Changes; House of Trust, a generative poem in praise of free public libraries; and Hours of the Night, an MP4 PowerPoint poem probing age and sleep.
Eric Dean Rasmussen - 31.01.2011 - 13:12
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Cynthia Lawson Jaramillo
Also known as Cynthia Lawson.
"Cynthia Lawson Jaramillo is a digital artist, technologist and educator. She is particularly interested in reconfigurations and representations of time and space through media. Her artwork has been internationally exhibited and performed, including at Giacobetti Paul Gallery, Exit Art and HERE Arts (NYC), UCLA Hammer Museum (LA), Point Éphémère (Paris) and the Museums of Modern Art in Bogotá and Medellín (Colombia). She recently self-published “Of and In Cities,” an academically framed art book about five of her photographic projects, and “Cross Urban,” which documents the first two years of an ongoing collaboration with Klaus Fruchtnis. Cynthia has a B.S. in Electrical Engineering from Universidad de los Andes (Bogotá) and a Masters in Interactive Telecommunications (ITP) from New York University. She is currently Assistant Professor of Integrated Design in the School of Design Strategies at Parsons The New School for Design and an active member of Madarts, an arts collective in Brooklyn, NY" (www.cynthia.lawson.com(Eric Dean Rasmussen - 31.01.2011 - 13:17
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Camille Utterback
Camille Utterback
Eric Dean Rasmussen - 31.01.2011 - 13:19