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1. From Hypertext to Codework

   From Hypertext to Codework

   Piotr Marecki - 27.04.2018 - 14:31

2. A World Exhilarating and Wrong: Theatrical Improvisation on the Internet

   A World Exhilarating and Wrong: Theatrical Improvisation on the Internet

   Davin Heckman - 27.04.2018 - 15:08

3. Crowdsourcing and literature: A report from the project “Wiersze za sto dolarów”

   The text is set within the poetics of a technical report, used to communicate the final results of projects in the digital media field. Its subject is the poetry collection of my authorship, Wiersze za sto dolarów (One-Hundred-Dollar Poems), written in Polish in 2017 using the crowdsourcing tool Amazon Mechanical Turk (AMT). The project is discussed in the context of other literary works created with AMT, among others On the Subcontract by Nick Thurston. The paper discusses the features of the literary work created by the Mechanical Turks, the phenomenon of Decentring Digital Media and questions of authorship, art project appraisal,
   and creation as paid work.

   Piotr Marecki - 27.04.2018 - 15:08

4. Against Movements

   Against Movements

   Ana Castello - 27.04.2018 - 15:20

5. Universities: Wet, Hard, Soft, and Harder

   Universities: Wet, Hard, Soft, and Harder

   Eric Dean Rasmussen - 27.04.2018 - 15:48

6. INK: Designing for Performative Literary Interactions

   INK: Designing for Performative Literary Interactions

   Søren Pold - 01.06.2018 - 15:39

7. Alternativas a la (ciencia) ficción en España: dos ejemplos de literatura electrónica en formato impreso

   Alternativas a la (ciencia) ficción en España: dos ejemplos de literatura electrónica en formato impreso

   Alex Saum - 05.06.2018 - 23:19

8. Exploring digital fiction as a tool for teenage body image bibliotherapy

   This article reflects on the findings of the interdisciplinary 'TransForm' project, which ran between 2012 and 2014 and aimed to explore how reading and writing digital fictions might support young women in developing frameworks for more positive thinking regarding their body image. The project comprised the following stages: (1) a review and compilation of digital fictions thematizing and/or problematizing female corporeality; (2) a series of cooperative inquiries with three groups of young women (aged 16-19 years) over a period of five weeks, examining participants’ responses to a selection of the previously compiled digital fictions, as well as the challenges these young women face in relation to body image; and (3) an interventionist summer school in which participants aged 16-19 explored body image issues via writing digital fictions. This article reports on the main observations and findings of each stage, and draws conclusions for future research needs in this area. 

   Astrid Ensslin - 05.06.2018 - 23:50

9. Introducing Small Screen Fictions

   Introducing Small Screen Fictions

   Astrid Ensslin - 06.06.2018 - 19:54

10. Conditions of Presence: Topological Complementarities in The Silent History

    As everyday network communication practices and habits of media consumption adapt to digital media technologies, creators of narrative fictions must meet the emerging expectations of readers and design digital fictions to invite and integrate opportunities for participation. Yet as additive and emergent participation processes are incorporated into digital fictions, it becomes increasingly important to strike a balance between authorial agency and user-generated content, between the core creative vision of cultural creators and the contributions of casual participants. 

     

    dmeurer - 15.06.2018 - 20:34

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