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Alternativas a la (ciencia) ficción en España: dos ejemplos de literatura electrónica en formato impreso
Alternativas a la (ciencia) ficción en España: dos ejemplos de literatura electrónica en formato impreso
Alex Saum - 05.06.2018 - 23:19
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Video Games as Unnatural Narratives
Video Games as Unnatural Narratives
Astrid Ensslin - 06.06.2018 - 20:16
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Network Narrative: Prose Narrative Fiction and Participatory Cultural Production in Digital Information and Communication Networks
Network Narrative: Prose Narrative Fiction and Participatory Cultural Production in Digital Information and Communication Networks
dmeurer - 18.06.2018 - 18:18
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Computing as Writing
Computing as Writing
Daniel Punday - 13.08.2018 - 20:33
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The Vectoralist Class
The Vectoralist Class
Chiara Agostinelli - 24.09.2018 - 00:08
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Reading Project: A Collaborative Analysis of William Poundstone’s Project for Tachistoscope
Electronic literature is a rapidly growing area of creative production and scholarly interest. It is inherently multimedial and multimodal, and thus demands multiple critical methods of interpretation. Reading Project: A Collaborative Analysis of William Poundstone’s Project for Tachistoscope {Bottomless Pit} is a collaboration between three scholars combining different interpretive methods of digital literature and poetics in order to think through how critical reading is changing—and, indeed, must change—to keep up with the emergence of digital poetics and practices. It weaves together radically different methodological approaches—close reading of onscreen textual and visual aesthetics, Critical Code Studies, and cultural analytics (big data)—into a collaborative interpretation of a single work of digital literature.
Ana Castello - 02.10.2018 - 19:40
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overshare: The links.net story
How did it become normal to share from our personal lives on the public internet? This documentary overshare: the links.net story looks at the limits of one person's desire for online attention.
Hello, my name is Justin Hall and I've been sharing my personal life in explicit detail online for over twenty years. Starting in 1994, my personal web site Justin's Links from the Underground has documented family secrets, romantic relationships, and my experiments with sex and drugs.
overshare: the links.net story is a documentary about fumbling to foster intimacy between strangers online. Through interviews, analysis and graphic animations, I share my motivations, my joys and my sorrows from pioneering personal sharing for the 21st century. In 2004 the New York Times referred to me as "perhaps the founding father of personal weblogging." I hope this documentary reveals that I was a privileged white male with access to technology who worked to invite as many people as possible to join him in co-creating an internet where we have a chance to honestly share of our humanity.
Ana Castello - 28.10.2018 - 15:56
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The Ciberia Project: An Experiment In Digital Hermeneutics
This article presents “Ciberia”, a collection of electronic literature works in Spanish, housed in OdA 2.0., a learning objects‟ repository of the University Complutense of Madrid. The Ciberia project involves experimentation at the humanistic and technological level, since it deals with the challenge of archiving digitally-born literary works as well as with the archiving process itself, which we are carrying out in OdA 2.0, a data management system for the creation of learning objects repositories on the Web. OdA allows different researchers to work collaboratively in a simultaneous manner on the data base, they can not only introduce new objects but they can also modify the data model. This entourage allows us to create taxonomies in an inductive rather than deductive manner.
Hannah Ackermans - 20.11.2018 - 10:02
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p0es1s. Rückblick auf die digitale Poesie
Digitale Poesie beschäftigt sich künstlerisch mit Sprachgebrauch unter den Bedingungen und Möglichkeiten von Computertechnologie. Ein Rückblick auf diese Sprachkunst zwischen den Künsten bedeutet zweierlei: Zum einen wird davon ausgegangen, dass sie als künstlerisches Programm wenn nicht abgeschlossen, so jedenfalls zu einem guten Teil historisch geworden ist. Zum anderen versammelt dieses Buch Texte, die der Verfasser seit 1997 als teilnehmender Beobachter zum forschenden und poetologischen Diskurs digitaler Poesie beigetragen hat, vermittelt also auch verschiedene Interessen und Argumentationsweisen aus diesem Zeitraum. Dabei geht es um Themen wie die soziale Konstruktion der Gattung digitale Poesie, ihren Bezug zu poetischen Vorläufern, ihren gelegentlichen Hang zum Komischen oder auch die Entwicklung eines einzelnen Künstlers.
[Verlagsbeschreibung]Gesa Blume - 20.09.2019 - 16:33
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The Cambridge Introduction to Postmodernism
The Cambridge Introduction to Postmodernism
Yvanne Michéle Louise Kerignard - 24.09.2019 - 15:18