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1. Pressing the ‘Reveal Code’ Key

   Pressing the ‘Reveal Code’ Key

   Patricia Tomaszek - 16.03.2012 - 23:52

2. A Literatura Factorial [l!]

   By focusing on hyperfiction, this paper presents some proto-hyperfictions, dealing with literature's combinatorial processes (ars combinatoria), and with its composition based on permutations. This practice, which continues today, although using different techniques and effects, I call factorial literature [l!]. My aim is to introduce the concept of factorial literature as a transtemporal genre that has been intensified in the context of electronic literature. In the analysis of hyperfiction, I return to the definitions of hypertext by Theodor Holm Nelson (1965) and Gérard Genette (1982). Referring back to essays by Italo Calvino (1967) on literature, mathematics and cybernetics, and articles by Robert Coover (1992, 1993) about the new literary practices in digital environments, I prepare the coordinates for a revaluation of hyperfiction's recent history and its software, namely through the transient concept of constant restart, associated with the reader's new role as user.

   Patricia Tomaszek - 02.07.2013 - 17:01

3. There is No Software

   There is No Software

   Scott Rettberg - 22.08.2014 - 10:46

4. Arte Digital: Pixel, Algoritmo, Código, Programação e Dados

   In this essay [Digital Art: Pixel, Algorithm, Code, Programming, Data], we reached a theoretical framework that could withstand a hyperdisciplinary analysis and encompass one of the characteristics that both electronic literature and digital art share: the transfer and transformation processes. In order to recognize these processes we used the concept of transduction to perform a theoretical migration capable of supporting these aspects: the transducer function.
   

   Alvaro Seica - 26.09.2014 - 11:23

5. Meditations on the Blip: a review

   Lisette Gonzales reviews a book of essays by Matthew Fuller that examines the way we are programmed by software.

   Glenn Solvang - 24.10.2017 - 15:33

6. Further Notes From the Prison-House of Language

   Linda Brigham works through Embodying Technesis by Mark Hansen.

   Glenn Solvang - 09.11.2017 - 13:45