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New Media Poetics: Contexts, Technotexts, and Theories
New media poetry—poetry composed, disseminated, and read on computers—exists in various configurations, from electronic documents that can be navigated and/or rearranged by their "users" to kinetic, visual, and sound materials through online journals and archives like UbuWeb, PennSound, and the Electronic Poetry Center. Unlike mainstream print poetry, which assumes a bounded, coherent, and self-conscious speaker, new media poetry assumes a synergy between human beings and intelligent machines. The essays and artist statements in this volume explore this synergy's continuities and breaks with past poetic practices, and its profound implications for the future. By adding new media poetry to the study of hypertext narrative, interactive fiction, computer games, and other digital art forms, New Media Poetics extends our understanding of the computer as an expressive medium, showcases works that are visually arresting, aurally charged, and dynamic, and traces the lineage of new media poetry through print and sound poetics, procedural writing, gestural abstraction and conceptual art, and activist communities formed by emergent poetics.
(Source: Publisher's description)
Patricia Tomaszek - 21.09.2010 - 11:24
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Screening the Page/Paging the Screen: Digital Poetics and the Differential Text
Screening the Page/Paging the Screen: Digital Poetics and the Differential Text
Eric Dean Rasmussen - 30.05.2011 - 14:33
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Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry
Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry
Eric Dean Rasmussen - 30.05.2011 - 15:53
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Digital Poetry: From Cybertext to Programmed Forms
Digital Poetry: From Cybertext to Programmed Forms
Zuzana Husarova - 01.09.2011 - 16:59
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New Media Poetry and Poetics
LEA leaps into yet another bold foray, this time revolving around the world of new media poetics. Bursting at the cyber-seams, a spiffy collection of essays by myriad authors await. The proud guest editor of this edition in Tim Peterson and he’s woven together a marvelous mix of nine essays, and curated an equally exciting gallery showcasing four illuminating artist works. (Source: LEA)
Eric Dean Rasmussen - 02.09.2011 - 10:30
