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  1. Ping Poetics

    Sandy Baldwin investigates the manner in which a computer "ping trace" can be classified as a form of digital poetics, and discusses the underlying symbolic practices of both poesis and poetics that encompass coding and computation.

    Eric Dean Rasmussen - 21.09.2010 - 11:27

  2. The Aesthetics of Materiality in Electronic Literature

    According to the French author and theoretician Jean-Pierre Balpe, “all digital art works are first conceived outside the framework of a pragmatic relation to materiality. Any manifestation of digital art is but a simulated moment of an absent matter.”

    However, I wish to show that there is at least as much materiality in the digital media as in other media. Of course, as a formal description, digital and material can be distinguished. Digital media correspond to formalization, insofar as formalization is understood as the modelling of a given reality through the use of a formal code. But because digital media refers to the effectiveness of digital calculation, it can be considered as “material”, at least on two levels:

    Eric Dean Rasmussen - 27.01.2011 - 15:39

  3. Language Writing, Digital Poetics, and Transitional Materialities

    Language Writing, Digital Poetics, and Transitional Materialities

    Eric Dean Rasmussen - 30.05.2011 - 21:18

  4. New Media ArtPoetry: A Textu(r)al Surface

    In the talk Mencía describes how her art practice moved from using electronic devices to create physical inscriptions, such as in the installation "I Love You" which was a sort of fax machine that made images in response to the interactor moving a toy car over a stone with the works "I Love You" engraved in it, and collaborative performance works based on collective activities and gestures, to a practice in digital media based on communication and miscommunication in human and computer language. 

    Eric Dean Rasmussen - 30.08.2011 - 11:35

  5. Literal Art

    John Cayley dadas up the digital, revealing similarities of type across two normally separate, unequal categories: image and text. "Neither lines nor pixels but letters," finally, unite.

    (Source: ebr First Person thread page)

    Eric Dean Rasmussen - 15.02.2012 - 13:15

  6. With Code in Hand: An Inventory & Prospectus for E-Poetics

    Poetry is a field of writing/programming that presently finds itself disorganized in its sense of relation to digital practice. This is uncharacteristic for a literary genre that has been at the forefront of innovation in the 20th century. What is instructive at this point is an inventory of innovative poetic practice in the digital media. This paper offers a catalog of poetic practice from hypertext through new media to programmable media. The inventory also considers the tropes & materiality of such practices before offering a prospectus for e-poetry in an attempt to demarcate a field of practice for the work of innovative poets in the digital media.

     

    Scott Rettberg - 19.01.2013 - 17:02