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  1. Reading, Describing, and Evaluating Electronic Literature for Archiving

    In programmierbaren Medien produzierte Literatur erfordert eine Rekonzeptionalisierung des Rezeptionsprozesses sowie die Entwicklung neuer Konzepte zur Bewertung von (elektronischer) Literatur. Dies ist notwendig, wenn kinetische oder vom Computer zufällig rekombinierte und generierte Texte, interaktive Erzählungen, Hyperfictions oder Gedichte, die als bewegte Buchstaben auf dem Bildschirm erscheinen, Analyseobjekte für Archivierungsprozesse darstellen. Erst wenn diese Voraussetzungen erfüllt sind, können tragfähige Verfahren zur Archivierung und Bewertung dieser Literatur entwickelt werden. Es geht daher nicht um die Frage, wie überlieferte Texte digitalisiert und archiviert werden können. Vielmehr geht es bei den laufenden Initiativen der „Electronic Literature Organization“ (ELO), die im Folgenden vorgestellt werden sollen, um „born-digital works“, d.h. um „elektronische Literatur“, „Netzliteratur“, oder „Literatur in neuen Medien“ (um nur drei der zahlreichen Bezeichnungen des aufstrebenden Forschungsfeldes zu nennen).

    Eric Dean Rasmussen - 22.02.2011 - 16:29

  2. E-literature

    E-literature

    Eric Dean Rasmussen - 07.03.2011 - 08:48

  3. Letters That Matter: Electronic Literature Collection Vol 1

    John Zuern considers the significance of the first volume of ELO's Electronic Literature Collection for the future of electronic arts.

    (Source: ebr)

    Jill Walker Rettberg - 24.03.2011 - 22:30

  4. Toward a Semantic Literary Web: Three Case Histories

    In this talk, I introduce a new literary and arts collective, electronic text + textiles, whose members are exploring the convergence of written and material practices. While some associates create actual electronic textiles (the 'smart fabrics' produced by textile artist Zane Berzina in collaboration with materials scientists based in Greiz, Germany ), I myself have explored the text/textile connection as it manifests itself in writing produced within electronic environments. My online laboratory consists of two literary web sites, ebr (www.electronicbookreview.com), a literary journal in continuous production since 1995, and the Electronic Literature Directory (www.eliterature.org), a project that seeks not just to list works but to define an emerging field. Rather than regard these sites as independent or free-standing projects, I present their development in combination with the current (and similarly halting) development of semantically driven content on the Internet (e.g., The Semantic Web, or Internet 2.0).

    Patricia Tomaszek - 05.05.2011 - 18:34

  5. On Reading 300 Works of Electronic Literature: Preliminary Reflections

    Note: Tabbi's essay was posted on July 22, 2009, on the online forum On the Human, hosted by the National Humanities Center where it generated 35 additional posts. It was reprinted, along edited versions of these responses, in Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres (Transcript, 2010). These responses are archived separtedly in the ELMCIP Knowledge Base As "Responses to 'On Reading 300 Works of Electronic Literature: Preliminary Reflections.'"

    Eric Dean Rasmussen - 31.08.2011 - 15:55

  6. Responses to "On Reading 300 Works of Electronic Literature: Preliminary Reflections"

    Responses to "On Reading 300 Works of Electronic Literature: Preliminary Reflections"

    Eric Dean Rasmussen - 31.08.2011 - 16:22

  7. Tagging Practices and the Disturbed Dialectic of Literary Criticism

    This paper will discuss the relationship between speed and literary criticism in the age of new media.  Specifically, this paper will explore the dual metaphor of the “tag” as an official consumer label and an underground art form, and the productive tension that exists when both forms exist within the same urban space.  Using this metaphor to discuss traditional terminologies and folksonomy as forms of “tagging” that can create productive tension within database projects like the Electronic Literature Directory, I will conclude with a call for attentiveness that can push both casual readers and conservative scholars towards criticism that is technologically appropriate, ethically engaged, and culturally vital.

    (Source: author's abstract)

    Eric Dean Rasmussen - 13.09.2011 - 15:37

  8. Toward a Semantic Literary Web: Setting a Direction for the Electronic Literature Organization’s Directory (2010)

    Toward a Semantic Literary Web: Setting a Direction for the Electronic Literature Organization’s Directory (2010)

    Patricia Tomaszek - 01.02.2012 - 14:27

  9. Toward a Semantic Literary Web: Setting a Direction for the Electronic Literature Organization’s Directory (2007)

    Electronic Literature is not just a "thing" or a "medium" or even a body of "works" in various "genres." It is not poetry, fiction, hypertext, gaming, codework, or some new admixture of all these practices. E-Literature is, arguably, an emerging cultural form, as much a collective creation of new terms and keywords as it is the production of new literary objects. Both the "works" and their terms of description need to be tracked and referenced. Hence, a Directory of Electronic Literature needs to be, in the first place, a site where readers and (necessarily) authors are given the ability to identify, name, tag, describe, and legitimate works of literature written and circulating within electronic media. This essay grew out of practical debates among the ELO's Working Group on the Directory, established in the Spring of 2005 and active through the Winter of 2006. The essay offers a set of practical recommendations for development, links to potentially affiliated sites, and an overall vision of how literary form is created in a networked culture.

    Patricia Tomaszek - 24.08.2012 - 15:41

  10. Gibt es 'Digitale Bibliotheken'? Wird es sie jemals geben? Zu den Grenzen einer allzu populären Metapher

    Im Verlauf der vergangenen Jahrzehnte haben sich Techniken der Bibliotheksautomation herausgebildet, die zu einer Art 'Elektrifizierung' von Bibliotheksdiensten geführt haben. Im gleichen Zeitraum sind zuerst Internet- und später dann WWW-basierte Informationsdienste entstanden, die sich sehr rasch zu einer Art informatorischem Paralleluniversum entwickelt haben. Beide Paradigmen der Informationsorganisation haben sich eine Zeit lang voneinander unabhängig entwickelt. In dem Moment, wo sie systematischer miteinander in Kontakt gerieten, wurde die Metapher 'Digitale Bibliothek' gefunden, die für eine Übergangszeit insofern nützlich war, als sie eine zumindest rhetorische Versöhnung der beiden Welten möglich zu machen schien.

    Patricia Tomaszek - 19.11.2013 - 17:02

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