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1. Multimedia Criticism

   Commentary on the Multimedia Criticism panel discussion at the Electronic Literature Symposium: State of the Arts (2002). Robert Kendall moderated the panel. Rita Raley, Joseph Tabbi, Thomas Swiss, and Jane Yellowlees Douglas were the panelists.

   Eric Dean Rasmussen - 22.02.2011 - 15:52

2. Phantasmal Fictions

   from ebr Electronic Book Review: D. Fox Harrell considers how a media theory of the "phantasmal" - mental image and ideological construction - can be used to cover gaps within electronic literary practice and criticism. His perspective is shaped by cognitive semantics and the approach to meaning-making known as "conceptual blending theory."

   Eric Dean Rasmussen - 22.02.2011 - 17:57

3. Unraveling the Tapestry of Califia

   Unraveling the Tapestry of Califia

   Eric Dean Rasmussen - 24.02.2011 - 10:54

4. Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades

   Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades

   Chris Funkhouser - 09.03.2011 - 15:20

5. Reading Time: For a Poetics of Hypermedia Writing

   Reading Time: For a Poetics of Hypermedia Writing

   Eric Dean Rasmussen - 11.05.2011 - 12:05

6. Technotexuality: An Interview with N. Katherine Hayles and Anne Burdick

   Interview with the author and designer of Writing Machines.

   Patricia Tomaszek - 28.05.2011 - 01:08

7. Responses to "On Reading 300 Works of Electronic Literature: Preliminary Reflections"

   Responses to "On Reading 300 Works of Electronic Literature: Preliminary Reflections"

   Eric Dean Rasmussen - 31.08.2011 - 16:22

8. Tagging Practices and the Disturbed Dialectic of Literary Criticism

   This paper will discuss the relationship between speed and literary criticism in the age of new media.  Specifically, this paper will explore the dual metaphor of the “tag” as an official consumer label and an underground art form, and the productive tension that exists when both forms exist within the same urban space.  Using this metaphor to discuss traditional terminologies and folksonomy as forms of “tagging” that can create productive tension within database projects like the Electronic Literature Directory, I will conclude with a call for attentiveness that can push both casual readers and conservative scholars towards criticism that is technologically appropriate, ethically engaged, and culturally vital.

   (Source: author's abstract)

   Eric Dean Rasmussen - 13.09.2011 - 15:37

9. A Bibliographic Overview of Electronic Literature

   A bibliography of electronic-literature scholarship, created by Amanda Starling Gould and published in the Electronic Literature Directory.

   The rapid emergence of this field necessitates a smartly curated beginners’ guide. This essay seeks to provide such by reviewing recent works that we feel represent an effective overview of current electronic literature (e-lit) scholarship. Sketching a durable architecture of critical contemporary e-lit texts is no easy task as both the pasts and the futures of the field are in dynamic shift and flow. In the service of putting forth a practical bibliography of e-lit scholarship, we here foreground the historical lineages (its disputed pasts) to focus primarily on the contemporary questions, conversations, critiques and critical theories that point toward its potential futures.

   (Source: article).

   Eric Dean Rasmussen - 23.04.2012 - 10:15

10. Literatura digital. Cul de Sac

    ¿La literatura electrónica está en un callejón sin salida, en un cul du sac sin escapatoria?Para el gran público sólo existe la literatura digitalizada. Los e-books, los e-readers, la industria de la autopublicación, las tabletas, las bibliotecas digitales, las editoriales en red, etc. Para que pueda revivir y encontrar una plasmación real, viva, que importe al mundo, deben darse las siguientes condiciones: 1. Que el corpus de obras digitales (no digitalizadas) de calidad y populares aumente exponencialmente. 2. Que el texto, que las palabras, vuelvan a estar en el centro de la obra, algo que la anteriormente citada van Dijk menciona al hablar de las críticas que Simanowski hace al arte digital en cuanto que canibaliza el texto, que olvida lo realmente importante, la historia, para ocultarla con unos efectos especiales que a pocos interesan. 3. Que exista una crítica profesional severa sobre las obras digitales.

    Maya Zalbidea - 15.03.2014 - 20:20

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