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Towards Cinematic Hypertext : A theoretical and Empirical Investigation
Hypertext’s non-linearity has critical implications for scholarly discourse and argumentation, where it is commonly considered important to control the reader’s exposure to the line of reasoning in order to communicate complex ideas and maximise rhetorical impact. Hypertext’s non-linearity has been seen to threaten authors ’ control over discourse order and the coherence of their argumentative discourse. Existing hypertext paradigms offer different solutions to the problem of preserving user-defined navigation whilst maintaining coherence: pagebased hypertext relies on the expressiveness of linear associative writing; semantic hypertext relies on the expressiveness of link taxonomies; spatial hypertext relies on the expressiveness of hypertext’s visual features. This research combines elements of these with new theoretical insights, to investigate a fourth paradigm referred to as Cinematic Hypertext. The problem of maintaining coherence is framed as the problem of representing
Jill Walker Rettberg - 14.06.2013 - 09:25
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Interactive Technology and the Remediation of the Subject of Writing
Interactive Technology and the Remediation of the Subject of Writing
Scott Rettberg - 25.06.2013 - 13:59
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The Political Computer: Hypertext, Democracy, and Habermas
The Political Computer: Hypertext, Democracy, and Habermas
Scott Rettberg - 26.06.2013 - 12:27
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Physics and Hypertext: Liberation and Complicity in Art and Pedagogy
Physics and Hypertext: Liberation and Complicity in Art and Pedagogy
Scott Rettberg - 26.06.2013 - 12:32
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Rhizome and Resistance: Hypertext and the Dreams of a New Culture
Rhizome and Resistance: Hypertext and the Dreams of a New Culture
Scott Rettberg - 26.06.2013 - 12:40
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Socrates in the Labyrinth
Socrates in the Labyrinth
Scott Rettberg - 26.06.2013 - 12:58
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The Miranda Warnings: An Experiment in Hypertext
The Miranda Warnings: An Experiment in Hypertext
Scott Rettberg - 26.06.2013 - 13:08
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Tekstspill i hypertekst. Koherensopplevelse og sjangergjenkjennelse i lesing av multimodale hyperfiksjoner
English translation of title: Textual interplay in hypertext. The experience of cohesion and the regonition of genre in multimodal hyperfictions. The dissertation provides a discussion of electronic literature in general, with two in depth analyses of Megan Heyward's "I am a Singer" and of Anne Bang-Steinsvik's "I mellom tiden".
Scott Rettberg - 26.06.2013 - 13:40
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Complex Information Processing: A File Structure for the Complex, the Changing, and the Indeterminate
This is the paper where Ted Nelson first coined the word hypertext. What follows is the abstract he wrote for the paper:
Jill Walker Rettberg - 27.06.2013 - 12:49
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Hypertext and Cognition
The recent evolution of western societies has been characterized by an increasing emphasis on information and communication. As the amount of available information increases, however, the user -- worker, student, citizen -- faces a new problem: selecting and accessing relevant information. More than ever it is crucial to find efficient ways for users to interact with information systems in a way that prevents them from being overwhelmed or simply missing their targets. As a result, hypertext systems have been developed as a means of facilitating the interactions between readers and text. In hypertext, information is organized as a network in which nodes are text chunks (e.g., lists of items, paragraphs, pages) and links are relationships between the nodes (e.g., semantic associations, expansions, definitions, examples -- virtually any kind of relation that can be imagined between two text passages). Unfortunately, the many ways in which these hypertext interfaces can be designed has caused a complexity that extends far beyond the processing abilities of regular users.
Jill Walker Rettberg - 27.06.2013 - 13:01