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  1. Collecting digital literature in Europe

    Collecting digital literature in Europe

    J. R. Carpenter - 25.11.2011 - 14:10

  2. UbuWeb, the archive and the gallery

    As a seemingly limitless and comprehensive resource, UbuWeb (http://www.ubu.com) has put together a map of the past hundred or so years of ‘experimental’ writing, film, video, and sound art. It resembles the archive in its breadth and depth, in its relentless collecting, in its inherent totalizing tendencies. My argument is that UbuWeb, while not an ‘archive’ per se, does have a cataloging logic, though it is not apparent, and that its specific logic is based on the commodification of the artwork and the effects of that commodification on its exhibition. To understand that logic, I want to situate UbuWeb at the latest point in a series of discontinuous institutions and discourses that have all taken the ‘artwork’ as their object.

    Audun Andreassen - 03.04.2013 - 10:13

  3. Hyperizons: Hypertext Fiction

    This is a collection that documents the "hypertext fiction activity" between 1995-1997.

    Among its features are:

    • Approximately 230 citations to electronic fiction, its print precursors, and criticism
    • Approximately 100 annotated citations for selected works
    • Individual bibliographies of selected authors
    • Announcements about the field and links to related sites of interest

    Source: Michael Shumate (resume)

    The page was last updated in 1997 and disappeared from the Web shorty after this record was created with a link to an active site in August 2013 (PT).

    Patricia Tomaszek - 30.08.2013 - 18:13

  4. The Ciberia Project: An Experiment In Digital Hermeneutics

    This  article  presents  “Ciberia”,  a  collection  of  electronic  literature  works  in  Spanish, housed  in  OdA 2.0.,  a  learning  objects‟  repository  of  the  University  Complutense  of  Madrid.  The Ciberia project involves experimentation at the humanistic and technological level, since it deals with the challenge of archiving digitally-born literary works as well as with the archiving process itself, which we  are  carrying  out  in  OdA  2.0,  a  data  management  system  for  the  creation  of  learning  objects repositories  on  the  Web.  OdA  allows  different  researchers  to  work  collaboratively  in  a  simultaneous manner on the data base, they can not only introduce new objects but they can also modify the data model. This entourage  allows us to create taxonomies in an  inductive rather  than deductive manner.

    Hannah Ackermans - 20.11.2018 - 10:02