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1. Better Looking, Close Reading: How Online Fiction Builds Literary-Critical Skills

   [insert abstract here] On reading fiction as an ethical task...

   Presented on Saturday, 7 January at the 2012 MLA Convention, panel 442, "New Media, New Pedagogies," arragned by the Division of Prose Fiction. Other panelists included Heather Houser, Jay Clayton, and the moderator, Rebecca L. Walkowitz.

   Eric Dean Rasmussen - 07.01.2012 - 20:04

2. New Directions in Digital Poetry

   As poets continue to use digital media technology, functionalities of computing extend aesthetic possibilities in documents focusing attention on crafting verbal content. Utility of these machines and tools enables multiple types of compounded articulation (combinations of verbal, visual, animated, and interactive elements). Building larger public awareness of the mechanics of digital poetry, New Directions in Digital Poetry aspires to influence the formation of writing with media in literary society of the future, specifically as a record of a particular technological era.

   Scott Rettberg - 24.01.2012 - 13:52

3. Review of Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, by Chris Funkhouser

   Review of Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, by Chris Funkhouser

   Patricia Tomaszek - 13.02.2012 - 00:53

4. The Rematerialization of Poetry: From the Bookbound to the Digital

   My dissertation "The Rematerialization of Poetry: Space, Time and the Body from the Bookbound to the Digital" is a deep-reaching account of what digital poetry is, what it does; it presents the reader with a historically and theoretically-based model for reading digital poetry within a limited scope of twentieth and twenty-first century science, media theory, and American/Canadian poetry. In this much-needed account of digital poetry, I first draw from media theorists ranging from Vannevar Bush to George Landow and Mark Poster as well as contemporary critics of electronic literature (such as N. Katherine Hayles, Marjorie Perloff, and Jerome McGann) in order to broadly contextualize the genesis of digital poetry and its relationship to the larger field of electronic literature. I then explore, in a section titled "My Digital Dickinson," the methodological possibilities and limits of using our understanding of the digital to inform our readings of bookbound poetry and vice-versa.

   Patricia Tomaszek - 18.09.2013 - 12:36