Search

Search content of the knowledge base.

The search found 17 results in 0.9 seconds.

Search results

  1. PO.EX '70-­80: The Electronic Multimodal Repository

    Portuguese experimental poetry of the 1970s and 1980s includes visual poetry, sound poetry, videopoetry, performance poetry, and computer poetry. Experimental literary objects, practices, and events often consist of an interaction between notational forms on paper and site-specific live performances. Thus the eventuality of literary meaning is dramatically foregrounded by turning the text into a script for an act whose performance co-constitutes the work. The aim of ‘PO.EX ‘70-’80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent this intermedia and performative textuality in an electronic database. The aggregation and marking up of this large multimodal corpus has material and interpretative implications which challenge our representations of experimental works and practices. Whether taking the form of facsimiles of books and paper collages, photographs of installations, videos of performances or emulations of early digital poems, digital remediation re-performs the works for the current techno-social context.

    Scott Rettberg - 20.05.2011 - 13:28

  2. Third Hand Plays: "Repeat After Me" by joerg piringer

    Third Hand Plays: "Repeat After Me" by joerg piringer

    Eric Dean Rasmussen - 21.10.2011 - 10:33

  3. Electronic Poetry: Understanding Poetry in the Digital Environment

    This study has as its main research object the new forms of poetry based on informatics and it is located in the fields of critical theory, hermeneutics, semiotics of the text and digital culture.

    These new forms emerging from the meeting of poetry and informatics are collectively called Digital Poetry. Digital poetry – also referred to as E-poetry, short for electronic poetry – refers to a wide range of approaches to poetry that all have in common the prominent and crucial use of computers or digital technologies and other devices. Digital poetry does not concern itself with the digitalization of printed works, it relates to digital texts. This work studies only electronic poems created to be read on the computer accessible online. It offers the close-readings of 35 e-poems in 5 different languages (English, French, Italian, Portuguese, and Spanish).

    Eric Dean Rasmussen - 19.03.2012 - 08:16

  4. Poetic Transformations in(to) the Digital

    In our contribution we will discuss some projects in the field of digital poetics which transform or recreate poetic pre-texts that were not conceived for the electronic space. Our interest is to focus on the question of the site of digital poetics, i.e., on its discursive or systemic affiliation. These projects of transformation imply a justification: We derive digital poetics not primarily from theories or discourses of information and communication technology or the digital media culture, but from theories and histories of poetry and “language art” itself. While doing so, we do not ignore that electronic or computer poetry is turning problems of the actual media and technological culture, as well as its theoretical description, into poetological and artistic categories and categorization. The perspective on art itself means, quoting from Loss Glazier (2004), “Siting the ‘poetry’ in e-poetry, which means to read digital poetics against its poetological and historical background.” The examples that will be discussed refer to the tradition and evolution of language art by means of intertextuality.

    Johannes Auer - 05.11.2012 - 17:56

  5. Flash Script Poex: A Recodificação Digital do Poema Experimental

    In this article I analyze digital re-readings of experimental poems contained in the digital archive
    PO-EX: Poesia Experimental Portuguesa - Cadernos e Catálogos [PO-EX: Experimental Portuguese Poetry - Chapbooks and Catalogues]. This project was developed by the Center for the Study of Informatic Text and Cyberliterature (CETIC) at Fernando Pessoa University (Porto, Portugal). I consider how experimental poetics is applied and transformed in the processes of electronic remediation of visual and concrete texts by E. M. de Melo e Castro, Herberto Helder, José-Alberto Marques, Salette Tavares and António Aragão. While digital recreations redefine the source texts by means of specific programming codes, they also reveal the complex linguistic and graphical coding of the printed page.

    (Source: Author's Abstract)

    Alvaro Seica - 29.11.2013 - 10:54

  6. The PO.EX Digital Archive of Portuguese Experimental Literature: A Review

    PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

    (Source: Author's Abstract)

    Alvaro Seica - 19.03.2014 - 12:25

  7. O PO.EX, Arquivo Digital da Literatura Experimental Portuguesa: Uma Recensão

    PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

    Alvaro Seica - 26.03.2014 - 15:00

  8. poésie dynamique

    Pour analyser la poésie sur ordinateur et la poésie sur le Web (bien que ce dernier n’étant qu’un dérivatif du premier, puisque le coeur, le fond, l’essentiel même du Web réside dans l’ordinateur) nous avons à déblayer le terrain de la route qui nous y a conduit. Il est évident que cette poésie n’a pas surgi du néant. L’approche peut se faire selon trois axes: le premier étant la poésie d’aspect classique mais combinatoire, le deuxième la poésie visuelle et le troisième la poésie
    sonore.

    Alvaro Seica - 10.09.2014 - 13:07

  9. GAMES, PO, ART, PLAY, & ARTEROIDS 2.03

    One of several essays Jim Andrews wrote to accompany his shoot-em-up poetry game Arteroids.

    Jim Andrews - 09.03.2015 - 01:29

  10. 'Roda Lume' by E. M. de Melo e Castro

    Roda Lume is a 2’ 43’’ videopoem, which was broadcast by the Rádio Televisão Portuguesa (RTP) in 1969 and subsequently destroyed by the station itself, and was reenacted by Melo e Castro from the original storyboard in 1986. The work is indeed surprising, as a poem that overlaps text, kinetic text, image, moving image and sound, anticipating and influencing various genres of digital hypermedia poetry mainly launched after the birth of the World Wide Web. It constructs a different notion of space-time, opening a “visual time” (Melo e Castro 1993: 238) of unfolding images and text that comprises a new reading perception.

    (Source: Author's text)

    Alvaro Seica - 07.04.2015 - 17:00

Pages

Filter by tags: