Search

Search content of the knowledge base.

The search found 5 results in 0.009 seconds.

Search results

  1. Visible and Invisible Archives: The Database Aesthetics of The Atlas Group Archive and haikU

    Although many works of electronic literature use databases in some form, “not all new media objects are explicitly databases” (Manovich 41, my emphasis). I analyze two works of electronic literature, The Atlas Group Archive (Raad) and haikU (Wylde), as examples of different material and conceptual databases. I approach and compare the works within the framework of Digital Hermeneutics, continuously considering the relationship between text and context, between parts and whole.

    Walid Raad's 1989-2004 The Atlas Group Archive (AGA) is a multimedial, fictional 'archive' which encompasses supposedly donated testimonies on the war in Lebanon (1974-1991), including diary logs, photographs with notes, and videos. The narrative is structured as a database, in which the layering of content in individual texts and images as well as in the database as a whole becomes the key feature.

    Hannah Ackermans - 06.08.2019 - 10:53

  2. Revisting Califia: “Here the Path triverages”

    This paper is not a reappraisal of Califia, as it needs no reappraisal in terms of its value to electronic literature, but a re-reading of what could be termed its hidden critical apparatus. While not wrongly referred to as “hypertext narrative,” this general category obscures a number of crucial structural and theoretical distinctions that suggest Califia rests on, and can offer, a different and powerful critical idiom of its own that has only recently found more theoretical expression as technology has advanced. Roughly contemporary (Luesebrink began Califia in 1995, when Patchwork Girl was published, and published it in 2000) and both on Eastgate, Califia remains in a relatively peripheral position in comparison, and not because Patchwork Girl appeared first. As many articles written about Patchwork will attest, PWG is and was more immediately accessible to the academic community via its attachment to several theoretical narratives around intertextuality, strategies of resistance, and a straightforward use of hypertext as structure and theme (“patching” and linking, e.g.

    Vian Rasheed - 14.11.2019 - 01:21

  3. Narrating the Sociality of the Database: A Digital Hermeneutic Reading of The Atlas Group Archive and haikU (presentation)

    I investigate the database characteristics of electronic literature that makes them into social forms. Database structures are both fragmented and relational, displaying hypertext characteristics. I approach The Atlas Group Archive and haikU, two works of electronic literature, as examples of material and conceptual databases in order to explore the database function so saturated in our daily life. Both works highlight a database aesthetics, although the ways they do so are polar opposites. I analyze the works within the framework of digital hermeneutics, continuously considering the relationship between text and context, between parts and whole. I demonstrate how AGA is an explicit database, supposedly showing a 'complete' archive, whereas haikU is an implicit database that hides the corpus of sentences. I show the sociality of the databases, thematizing both the human process behind database formation as a whole, as well as how the individual elements influence the perception of the overall database.

    Hannah Ackermans - 03.12.2019 - 10:25

  4. Narrating the Sociality of the Database: A Digital Hermeneutic Reading of The Atlas Group Archive and haikU (paper)

    In this paper, I investigate the database characteristics of electronic literature that makes them into social forms. Database structures are both fragmented and relational, displaying hypertext characteristics. I approach The Atlas Group Archive and haikU, two works of electronic literature, as examples of material and conceptual databases in order to explore the database function so saturated in our daily life. Both works highlight a database aesthetics, although the ways they do so are polar opposites. I analyze the works within the framework of digital hermeneutics, continuously considering the relationship between text and context, between parts and whole. I demonstrate how AGA is an explicit database, supposedly showing a 'complete' archive, whereas haikU is an implicit database that hides the corpus of sentences. I show the sociality of the databases, thematizing both the human process behind database formation as a whole, as well as how the individual elements influence the perception of the overall database.

    Hannah Ackermans - 03.12.2019 - 10:37

  5. How to Review a Database

    In this 5-minute lightning talk, I introduced my work-in-progress chapter on database criticism. A video of the presentation is available on YouTube, see below.

    Hannah Ackermans - 03.12.2019 - 12:53