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  1. The Incomplete

    The Incomplete takes the form of an interactive 'virtual laptop' running Windows XP. The restoration of a folder from the Recycle Bin leads to a series of half-corrupted images, surreal floating files and icons, and a number of openly editable text documents that are free to be changed, modified or completely deleted by anyone visiting the project.

    Andy Campbell - 13.05.2011 - 17:27

  2. Libertando-se da Prisão

    Libertando-se da Prisão

    Luciana Gattass - 18.10.2012 - 12:46

  3. Poem by Nari does Windows

    This hypertext poem examines language and instructions from help menus and other documentation in the Windows 98 operating system, juxtaposing it with texts and images from other sources (credited in “Windows”) as well as with original material. The formatting for the Windows texts is designed for readers to read them clearly, allowing for Microsoft’s prosaic, utilitarian voice to emerge clearly and deliver instructions for procedures that seem unnecessarily complex. The “Poem by Nari” texts (Warnell’s poetic persona) are made strange and poetic through visual formatting: primarily by eliminating spaces between words, arranging streams of texts in columns, and capitalizing by constraint rather than by convention.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 10.02.2013 - 22:32

  4. NORD / NORTH

    Story written in German, with English translation available, using pop-up windows containing text, images and sounds to tell small stories about North.

    Jill Walker Rettberg - 04.07.2013 - 13:21

  5. Intergrams in My Pocket

    Digital literature authors — particularly those of an experimental bent — are frequently obliged to use multimedia environments whose longevity is questionable at best. When support for such an environment on a new platform is not available, portation of the work may be the most direct strategy for making the work available. An excellent example of such a platform was Hypercard — only available on Macintosh MacOS Classic (and emulators). This paper discusses my experiences in porting Intergrams from Hypercard — first to Windows in 1996, and more recently to Squeak, where it will run on a wide range of platforms. Following on the pioneering recommendations of “Acid Free Bits”, the paper explores the following issues: (1) ability and desirability of digital literature authors to create their own file formats that are open, human-readable, and serve as “texts of description” (in the spirit of Bootz) whose preservation is assured by the simplicity and openness of the file format (as opposed to closed proprietary undocumented file formats often found with multimedia environments). (2) The importance and desirability of using multimedia environments which allow for self description.

    Eivind Farestveit - 19.02.2015 - 14:47

  6. Hours of the Night

    Hours of the Night, a collaboration between M.D. Coverley and Stephanie Strickland, is the most recent of their joint explorations. It arose from a concern for the portability of software in the current platform-rich e-lit environment, particularly because many of the tools they used in the past (Director, Flash) are no longer supported or have limited reach. Wishing to make use of a widely available and easily managed tool, they chose PowerPoint, believing it to be a popular, standard, authoring system, the products of which could be read on any desktop computer, tablet, or smart phone. Making and porting PowerPoint work turned out to be more difficult than anticipated. Fortunately the latest version of PowerPoint allows one to export MP4s from the PowerPoint file. Thus available in this exhibit is the truly portable MP4 and as well the PowerPoint file itself (as a slideshow). The latter is viewable only on a Windows machine equipped with PowerPoint for Windows and with the requisite fonts downloaded on it. The aesthetics of the piece are of course not those of a bit of a film but of a series of slides.

    Julianne Chatelain - 25.08.2016 - 15:38