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The Fundamentals of Digital Art
The book examines the way digital technology is forcing a complete rethink of creative priorities for artists in the twenty first century. Written from an artist's perspective, the author has had the cooperation of many important practitioners in digital arts in countries across the world. The book is written in an accessible style and alongside examples of work offers practical know-how that will enable to reader to begin using some of the methods described for themselves.
The Fundamentals of Digital Art has six sections and each of these takes a specific aspect of the subject.
Historical perspectives
Dynamic “live” art
The use of data sources in art
The place of programming languages
Network considerations
Hybrid practice and the blurring of specialist boundaries.176 Pages with 150 colour illustrations
Source: book presentation on accompanying website
Patricia Tomaszek - 27.08.2012 - 17:06
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Transdução: Processos de Transferência na Literatura e Arte Digitais
Electronic Literature and Digital Art share many processes, themes, creative and theoretical guidelines. In this sense, I developed a critical framework that could resist to a hyperdisciplinary analysis and include one of the characteristics of this sharing pattern: the transfer and transformation processes. In order to recognize these processes I have done an approach of the transduction concept that could perform a theoretical migration on these aspects: the transducer function. Thus, the transducer function appears in the critical analysis of the works by Mark Z. Danielewski, Stuart Moulthrop, R. Luke DuBois and André Sier. The selected works are representative of the following genres: novel, hyperfiction, net.art and digital installation, drawing on phenomena and concerns resulting from the creative production within the digital culture. In this research I have enhanced mechanisms, patterns, languages and common grounds: authorship, user, cybertext, surface, hypertext, infoduct, interactivity, pixel, algorithm, code, programming, network, software and data. (Source: Author's abstract)
Alvaro Seica - 15.08.2013 - 15:59
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Arte Digital: Pixel, Algoritmo, Código, Programação e Dados
In this essay [Digital Art: Pixel, Algorithm, Code, Programming, Data], we reached a theoretical framework that could withstand a hyperdisciplinary analysis and encompass one of the characteristics that both electronic literature and digital art share: the transfer and transformation processes. In order to recognize these processes we used the concept of transduction to perform a theoretical migration capable of supporting these aspects: the transducer function.
Alvaro Seica - 26.09.2014 - 11:23
