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1. Literatura Electrónica

   Weblog focused on electronic literature, digital art, and digital culture, featuring frequent reviews of works of electronic literature.

   Scott Rettberg - 14.04.2011 - 00:51

2. Creative Communities: Nooks, Niches, and Networks

   Creative Communities: Nooks, Niches, and Networks

   Eric Dean Rasmussen - 08.09.2011 - 16:38

3. New Media Art

   New Media Art

   Meri Alexandra Raita - 02.10.2011 - 14:37

4. Electronic literature or digital art? And where are all the challenging hypertextual novels?

   Lack of new and challenging, interactive hypertextual fictions causes a continuously growing frustration among literary scholars like myself. While we are witnessing a growing and exciting field within digital poetry, and especially digital art as such, hypertextual fictions seem to have become part of and/or floating into interactive digital performance and installation artworks. Noah Wardrip-Fruin’s CAVE-work Screen and Camilla Utterback’s Text Rain are among digital artworks based on text and words. According to Roberto Simanowski in “Holopoetry, Biopoetry and Digital Literature” (2007), however, Utterback’s work in particular, must be seen as a work of digital art rather than literature, since its aim is not to be read but to be played with. So how much text, how many literary generic traits must a hypertextual fiction include to be called literature and not digital art?

   Jill Walker Rettberg - 18.06.2012 - 11:10

5. Machine Subjectivity, Politics and Digital Arts

   Although human interaction with technological artifacts often involves treating them as if they are alive, the dominant discourse in our society portrays technology as the instrument of its human master. In the context of computing, our desire of absolute control over machines manifests itself both as the human computer interaction (HCI) community’s emphasis on “usability” and as popular culture’s apocalyptic imagination of the out-of-control artificial intelligence (AI) systems trying to eliminate humanity. It is revealing that, for instance, the word “robot” comes from “slave” in Czech. This paper examines the social and aesthetic limitations of this narrow instrumental view of technology. It proposes an alternative interaction model based on machine subjectivity, that is, constructing and perceiving computer systems as an independent entity in its own right.

   Audun Andreassen - 10.04.2013 - 13:42

6. Nomadic Poetry

   Nomadic Poetry

   Scott Rettberg - 09.07.2013 - 14:59

7. X0y1 #ensayos sobre género y ciberespacio

   Una colección de ensayos como resultado del Seminario Internacional X0y1: Arte e industria digital: aproximaciones desde el género y el ciberespacio. January 22rd and 23rd of 2014, CAAC. Los editores publicaron en este volumen los diferentes trabajos de investigación que fueron debatidos en las conferencias y los proyectos teóricos presentados en el encuentro y seleccionados en la convocatoria pública. A ellos han sumado además la traducción de una breve selección de trabajos sobre feminismo y cultura digital de Mary Flanagan, Gesche Joost y Sandra Buckmüller.

   Maya Zalbidea - 30.07.2014 - 11:08

8. For a New Mnemosyne: Art, Experience, and Technology

   This paper will outline the key elements of an ongoing research project, whose main focus is to explore the application of new technology to the study of key works of modernism, whilst simultaneously arguing that modernism can itself offer fresh perspectives on contemporary digital art. I am interested in the way modernism presents the artwork as both an object to be experienced and as a structured theory of knowledge. This tension can be seen most obviously in such canonical works as Ezra Pound’s Cantos (1917-1969) where his aesthetic of the ‘luminous fragment’ is set against the poem’s larger, Dantescan, vision of history. Concomitantly, I wish to argue that the resources of digital technology offer a significant new set of tools for approaching modernism itself, allowing us to explore the boundary between the work of scholarship and work of art.

   (Source: Abstract ICDMT 2016)

   Hannah Ackermans - 08.12.2016 - 14:24

9. #ELRFEAT: Interview with Stuart Moulthrop (2011)

   An interview with Stuart Moulthrop, a Professor of Digital Humanities in the Department of English, at the University of Wisconsin–Milwaukee (USA) and an early author of works of electronic literature.

   Daniele Giampà - 07.04.2018 - 14:58

10. Academy as Network

    Guest lecturer by Greg Niemeyer at the University of Bergen, May 02, 2018. As the University of Bergen develops a new strategy to become a leader in innovative approaches to digital media and culture, the Berkeley Center for New Media provides a compelling model of cross-campus engagement.

    The University of Bergen program in Digital Culture, the departments of Media, Art, Design, and Media City Bergen are pleased to welcome Greg Niemeyer, the co-founder of the Berkeley Center for New Media, to UiB. Professor Niemeyer will give a presentation on BCNM's innovative interdisciplinary approach to critical and artistic engagement with new media.

    Scott Rettberg - 02.05.2018 - 23:24

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