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1. Electronic Literature Publishing in Europe: Sample Cases from Finland

   The publication of electronic literature, globally, has taken place outside of the traditional literary publishing field. The main modes have been either self publication by the authors, or, literary online magazines and portals. E-­lit competitions have played also a role. In a situation where no established publication system exists, the authors have had to invent new publication strategies. The activity has been characterised by noncommerciality, collegialism, and close
   connection to academia. Publication of electronic literature has often been happening side by side with critical writing on electronic media. Also, a considerable amount of electronic writing is such by nature, that it comes close to visual and auditive arts. It has then found publication channels through these non-­?literary connections: many of the works have been presented in art gallery settings.
   In our project, an investigation on organized European electronic literature publication and distribution will be carried on. This means that self-­?publication by authors will be excluded. The investigation will cover the following forms:

   Patricia Tomaszek - 18.10.2010 - 11:55

2. The World Wide Future of Book Publishing

   The publisher of the New York Review of Books considers the role of print-on-demand technologies and internet based distribution models in transforming the contemporary print publishing industry.

   Scott Rettberg - 30.05.2011 - 16:43

3. Paradoxical Print Publishers TRAUMAWIEN

   Paradoxical Print Publishers TRAUMAWIEN

   J. R. Carpenter - 25.11.2011 - 14:02

4. Open Publishing

   "Last year I was invited by Sue Thomas and Kate Pullinger to go up to Leicester to give a lecture about the impact of blogging on writing at their Narrative Laboratory for the Creative Industries seminar, Blogs, Communities and Social Software. This year, I have a return invitation, not to lecture in person again but to be one of several guest lecturers contributing to De Montfort's Online MA in Creative Writing and New Media via a variety of online venues....

   Christine Wilks - 20.01.2012 - 16:42

5. The Print Map as a ‘literary platform’

   J.R. Carpenter describes creating and distributing The Broadside of a Yarn, a hybrid print-digital art-literature project commissioned by Electronic Literature as a Model for Creativity and Innovation in Practice (ELMCIP) for Remediating the Social, an exhibition which took place at Inspace, Edinburgh, UK, 1-17 November 2012.

   J. R. Carpenter - 22.05.2013 - 13:43

6. Publishing without a Publisher's Peritext: Electronic Literature, the Web, and Paratextual Integrity

   With the book-based paratext theory Paratext: Thresholds of Interpretation (1987/1997), literary scholar Gérard Genette provides a tool that allows to examine how books ensure the text’s presence in the world, its “reception” and consumption (Genette 1).

   Hannah Ackermans - 14.11.2015 - 15:43

7. Literary Ecology: From Resistance to Resilience

   Literary Ecology: From Resistance to Resilience

   Eric Dean Rasmussen - 17.09.2020 - 12:36

8. Amplified Publishing: Finding Audiences

   We live in a world where everyone with access to technology can publish. From YouTubers to Instagram-influencers, from gamers watching each other play online to writers self-publishing, content is everywhere. And yet, the biggest company with its most promising title and the podcaster putting their first episode online share the same problem: how to find an audience. Over recent years, digital technologies have fostered the proliferation of new platforms for publishing and broadcasting, and the rise of video streaming has further dissolved the boundaries between these two modes. Publishing no longer refers only to words but also images, video and sound and its reach is pervasive and global. 

   Scott Rettberg - 29.05.2021 - 23:28