Search

The search found 710 results in 0.048 seconds.

Search results

1. University of California, Santa Cruz (UCSC)

   University of California, Santa Cruz (UCSC)

   Aaron Reed - 20.06.2012 - 18:50

2. Hyperrhiz 06: Visionary Landscapes

   This special issue of Hyperrhiz features work from ELO 2008: Visionary Landscapes, the Electronic Literature Organization's 2008 conference.

   Helen Burgess - 20.06.2012 - 19:58

3. The (Problematic) Issue to Evaluate Literariness: Digital Literature Between Legitimation and Canonization

   The first experiments in digital literary forms started as early as
   the 1960s. From then, up to the mid-90’s, was a period that,
   according to Chris Funkhouser (2007), can be considered as
   a ‘laboratory’ phase. The rise of the Internet has resulted in the
   proliferation of creative proposals. The first involves indexing
   creative works in the form of databases, sometimes giving access
   to hundreds of works without any hierarchical order. Since 2000,
   digital literature has been experiencing a new phase, marked by
   the creation of anthologies. Over the years, the evaluation and
   selection criteria have proved to be as problematic as they are
   necessary for these projects. The main issue of this paper is to
   provide a critical discussion of these criteria.

   Eric Dean Rasmussen - 22.06.2012 - 16:40

4. Performing the Digital Archive: Remediation, Emulation, Recreation

   The aim of ‘PO.EX '70-80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent the intermedia and performative textuality of a large corpus of experimental works and practices in an electronic database, including some early instances of digital literature. This paper shows how the performativity of digital archiving and recoding is explored through the remediation, emulation and recreation of works in the PO.EX archive. Preservation, classification and networked distribution are also discussed as editorial and representational problems within the current database aesthetics in knowledge production. (Project reference: PTDC/CLE-LLI/098270/2008).

   Eric Dean Rasmussen - 22.06.2012 - 16:42

5. After 391: Picabia's early multimedia experiments

   This essay attempts to answer a simple question: why did Francis Picabia stop publishing 391? By October 1924, when the final issue was published, 391 was the longest running magazine related to dada and the burgeoning surrealist movement, and Picabia was well established as one of the premiere avant-gardists in Paris and beyond, with literary, artistic and personal connections to all the major players in the movements that had turned the art world upside down for almost a decade. What caused him to suddenly cease publication of his provocative (but well respected) journal?

   (Source: author's abstract.)

   Chris Joseph - 27.06.2012 - 07:34

6. konkret digital: Interview with Johannes Auer about Concrete Poetry and Net Literature

   Interview with Johannes Auer to be published in Concrete Poetry: An International Perspective. Edited by Claus Clüver and Marina Corrêa. (forthcoming)

   Patricia Tomaszek - 19.07.2012 - 13:59

7. ZKM (Zentrum für Kunst und Medientechnologie)

   As a worldwide unique institute of culture, the ZKM | Center for Art and Media is both museum and more than a museum. It is house for all media and genre, a house for both spatially-based art such as painting, photography and sculpture as well as for time-based arts such as film, video, media art, music, dance, theater and performance. The ZKM was founded as a museum in 1989 with the mission to perpetuate classic arts in the digital age – the reason for its also being referred to as »Electronic or Digital Art Bauhaus«. The ZKM also houses institutes and laboratories in which research and development is carried out. Alongside the classic guiding principle of the museum, namely, to protect works or art from deterioration and finally disappearing, the ZKM has also taken on the task of creating the conditions under which works of art arise. It achieves this, firstly, by way of the »artists-in-residence« program, and secondly, by way of the house’s colleagues. This is why it is called center and not museum. Due to its high-profile technical development and production work, the ZKM is considered the »Max Planck Institute of Arts«.

   Klemens Bobenhausen - 09.08.2012 - 10:23

8. Remediating the Social

   The print version of the conference proceedings for Remediating the Social, the final conference of the ELMCIP project. An ebook version also exists and is freely downloadable.

   Elisabeth Nesheim - 10.08.2012 - 13:21

9. Framing Embodiment in General Purpose Computing

   M.A. Thesis, 94 pages

   Elisabeth Nesheim - 20.08.2012 - 02:07

10. Computer-Mediated Collaborative Writing

    Many different kinds of works of literature, text works, or text-inclusive performances have been created in computer-mediated collaborative systems, and computer-mediated collaborative writing projects are an integral approach to new media writing. Examples range from a few writers working together with the same authoring system to global telecommunications projects where writers, artists and readers contribute to a work from many nodes around the world.

    Source: Introduction (Narrabase)

    Patricia Tomaszek - 23.08.2012 - 13:45

Pages