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  1. Database Research and Publishing: Using the ELMCIP Electronic Literature Knowledge Base

    The editor of the ELMCIP Electronic Literature Knowledge Base, Eric Dean Rasmussen, will discuss how this electronic-literature database, built using the Drupal platform, can be used as both a research tool and a publishing platform. During a workshop session, Rasmussen will register participants who want to become Knowledge Base contributors and provide instruction on using the database system effectively.

    Eric Dean Rasmussen - 01.02.2012 - 17:36

  2. A Response to the Report on Publishing E-Lit in Europe

    A response to the preliminary results presented by Markku Eskelinen and Giovanna di Rossaio, co-authors of a report on Publishing E-Lit in Europe.

    Eric Dean Rasmussen - 04.04.2012 - 15:34

  3. Proposal for a Universal Electronic Publishing System and Archive

    Excerpt from chapter 2 of Literary Machines. Susalito, CA: Mindful Press, 1981.

    Eric Dean Rasmussen - 14.05.2012 - 15:34

  4. DIY: reinvent the world by reinventing the language (Interview with Florian Cramer)

    Florian Cramer's thought is justly (in)famous. From early provocative studies of combinatorial language's roots in antiquity and alchemy ("Words Made Flesh"), Cramer has segued into a concern with DIY culture.

    For Cramer, DIY is the natural extension of utopian renegades, social and cultural outliers whose play was not formal but utopian.

    Any renovation of language constitutes a renovation of cognition and subsequently culture itself; even as the possibility for everyone to publish through networked media questions the notion of the literary. Furthermore, 4chan image memes are digital poems, language transformed through practice with the aim of transforming practice.

    Consider yourself expanded.

    (Source: David Jhave Johnston, Vimeo)

    Scott Rettberg - 12.02.2013 - 13:20

  5. Cibertextualidades 5

    The impact of hypertext and hypermedia on scholarly editing of our literary legacy, which is increasingly published in electronic formats, has fostered a conceptual shift from the archive as a classified hierarchical collection of texts to the archive as a decentred and reconfigurable network of texts. Another important set of questions concerns new methods for editing and organizing multimodal textualities resulting from combinations of materials and media (graphic, audio, video, digital). The convergent multimodality of digital textuality opens up a new editing and archival space for multimedia and intermedia forms of writing. In the current technological context, innovative and experimental literary forms become relevant, as many of the operations that the machine provides can be found in previous literary practices: from collages and automatic writing to narrative permutations and intermedia poetry. This issue of the journal addresses problems of representing, archiving, and publishing experimental literary forms in digital spaces.

    Patricia Tomaszek - 02.07.2013 - 16:56

  6. Scott Rettberg: Interview by Simon Mills

    Scott Rettberg: Interview by Simon Mills

    Scott Rettberg - 08.07.2013 - 22:10

  7. Alire: A Relentless Literary Investigation (Digithum)

    This article was written by Philippe Bootz for the 10th anniversary of the launch of the magazine Alire, one of the longest-standing multimedia journals in Europe and the publishing platform of the LAIRE group, specialising in researching the creative possibilities of new computer technologies. Alire has become, over the years, a landmark in any discussion of digital poetry, as it has enabled us to know numerous works of poetry written and designed to be read on a computer. The position Bootz takes in the article is that digital literature is literature, too. The Alire experience thus shows us that we can conceive a literature that is closely linked to the characteristics of the computer.

    Source: Author's Abstract

    Patricia Tomaszek - 16.10.2013 - 20:02

  8. Alire: un questionnement irréductible de la littérature

    Cet article a été écrit par Philippe Bootz à l'occasion du 10e anniversaire de la création de la revue Alire, une revue multimédia parmi les plus anciennes d'Europe et un moyen de diffusion du groupe L.A.I.R.E qui se consacre à la recherche des possibilités créatives des nouvelles technologies informatiques. Alire est devenu, au cours de ces années, un ouvrage de référence indispensable en ce qui concerne la poésie électronique puisqu'il nous a permis de découvrir de nombreuses oeuvres poétiques écrites destinées à être lues sur ordinateur. Dans ce texte, Bootz soutient que la littérature informatique est aussi de la littérature. L'expérience d'Alire nous prouve donc qu'il est possible de concevoir une littérature intimement liée aux particularités de l'ordinateur.

    Patricia Tomaszek - 16.10.2013 - 20:05

  9. In the Absence of the Publisher's Peritext

    To Genette, the basic “nature of the paratext” is functional (7). In his theoretical account, he
    presents a number of paratextual units (title, dedications, epigraphs etc.) and proofs its functionality through the analysis of respective examples. At the same time, he alerts that
    paratexts may be unproductive and notes: “from the fact that the paratext always fulfills a
    function, it does not necessarily follow that the paratext always fulfills its function well” (409).
    That said, paratexts may be dysfunctional in that a paratext does not meet the function Genette
    originally envisioned. A paratext is also dysfunctional if it is absent where it’d be expected: based
    and bound to the materiality of the book-as-object, Genette has developed a map to locate the
    types of paratexts he designates. As per Genette, a preface supposedly precedes a work and an
    epigraph shouldn’t intervene a body’s text. Likewise, the publisher’s peritext spans around and
    within the body of a work, while the epitext is located outside of a work’s material body. A paratext’s location thus defines its function.

    Alvaro Seica - 29.08.2014 - 10:23

  10. A New Companion to Digital Humanities

    This highly-anticipated volume has been extensively revised to reflect changes in technology, digital humanities methods and practices, and institutional culture surrounding the valuation and publication of digital scholarship. 

    • A fully revised edition of a celebrated reference work, offering the most comprehensive and up-to-date collection of research currently available in this rapidly evolving discipline 
    • Includes new articles addressing topical and provocative issues and ideas such as retro computing, desktop fabrication, gender dynamics, and globalization 
    • Brings together a global team of authors who are pioneers of innovative research in the digital humanities 
    • Accessibly structured into five sections exploring infrastructures, creation, analysis, dissemination, and the future of digital humanities
    • Surveys the past, present, and future of the field, offering essential research for anyone interested in better understanding the theory, methods, and application of the digital humanities

      (Source: Publisher's website) 

     

    Alvaro Seica - 01.06.2016 - 11:35

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