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The Voice in the Machine: Building Computers That Understand Speech
The Voice in the Machine: Building Computers That Understand Speech
Chiara Agostinelli - 23.09.2018 - 23:48
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The Unintended Reformation: How a Religious Revolution Secularized Society
The Unintended Reformation: How a Religious Revolution Secularized Society
Yvanne Michéle Louise Kerignard - 23.09.2019 - 21:51
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Post-Postmodernism, or the Cultural Logic of Just-in-time Capitalism
Post-Postmodernism, or the Cultural Logic of Just-in-time Capitalism
Yvanne Michéle Louise Kerignard - 23.09.2019 - 22:03
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A Biocultural Approach to Literary Theory and Interpretation
A Biocultural Approach to Literary Theory and Interpretation
Lene Tøftestuen - 27.05.2021 - 18:13
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Art Platforms and Cultural Production on the Internet
Art Platforms and Cultural Production on the Internet
Lene Tøftestuen - 28.05.2021 - 12:35
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Reading Machines: Toward an Algorithmic Criticism
Reading Machines: Toward an Algorithmic Criticism
Lene Tøftestuen - 03.06.2021 - 16:31
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The Postcolonial Unconscious
The Postcolonial Unconscious is a major attempt to reconstruct the whole field of postcolonial studies. In this magisterial and, at times, polemical study, Neil Lazarus argues that the key critical concepts that form the very foundation of the field need to be re-assessed and questioned. Drawing on a vast range of literary sources, Lazarus investigates works and authors from Latin America and the Caribbean, Africa and the Arab world, South, Southeast and East Asia, to reconsider them from a postcolonial perspective. Alongside this, he offers bold new readings of some of the most influential figures in the field: Fredric Jameson, Edward Said and Frantz Fanon. A tour de force of postcolonial studies, this book will set the agenda for the future, probing how the field has come to develop in the directions it has and why and how it can grow further.
Alisa Nikolaevna Ammosova - 29.09.2021 - 15:14
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Cybertext Poetics: The Critical Landscape of New Media Literary Theory
Cybertext Poetics has three different points of departure: theoretical, strategic, and empirical. It uses ludology and modified cybertext theory as a cross-disciplinary perspective to solve four persistent and strategically chosen problems in four separate, yet interconnected fields: literary theory, narratology, game studies, and digital media.[1] The problems in the first three fields stem from the same root: hegemonic theories are based on a subset of possible media behaviors that is far too limited, and this limitation seriously undermines their explanatory and analytical power. The cumulative effects of this lack also obscure our understanding of transmediality, media ecology, and digital media. An example may perhaps help demonstrate what I mean.
Tjerand Moe Jensen - 03.10.2021 - 20:47
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Pivoting the Player. A Methodological Toolkit for the Player Character Research in Offline Role-Playing Games
This thesis introduces an innovative method for the analysis of the player character (PC) in offline computer role-playing games (cRPGs). It derives from the assumption that the character constitutes the focal point of the game, around which all the other elements revolve. This underlying observation became the foundation of the Pivot Player Character Model, the framework illustrating the experience of gameplay as perceived through the PC’s eyes. Although VG characters have been scrutinised from many different perspectives, a uniform methodology has not been formed yet. This study aims to fill that methodological void by systematising the hitherto research and providing a method replicable across the cRPG genre. The proposed methodology builds upon the research of characters performed in video games, fiction, film, and drama. It has been largely inspired by Anne Ubersfeld’s semiological dramatic character research implemented in Reading Theatre I (1999).
Jonatha Patrick Oliveira de Sousa - 06.10.2021 - 21:54
