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1. Reading Network Fiction

   David Ciccoricco establishes the category of "network fiction" as distinguishable from other forms of hypertext and cybertext: network fictions are narrative texts in digitally networked environments that make use of hypertext technology in order to create emergent and recombinant narratives. Though they both pre-date and post-date the World Wide Web, they share with it an aesthetic drive that exploits the networking potential of digital composition and foregrounds notions of narrative recurrence and return.

    

   Eric Dean Rasmussen - 18.02.2011 - 20:31

2. Digital Modernism: Making it New in New Media

   What happens to literature, the literary, and the cultural value of both when text moves from page to screen? What can these shifts teach us about the traditions, practices, and discourses that shape the ways in which we read, study, and engage with print and electronic literature? Digital Modernism reads digital literature within a modernist tradition of making it new, a history that is both experimental and canonical. Across literary genres and programming platforms, I examine a shared strategy in some of the most innovative works of electronic literature online. These works adopt, adapt, and allude to the seminal aesthetic practices, principles, and texts of literary modernism. Digital Modernism analyzes these consciously crafted ties to modernism as part of a larger strategy and cultural situation. These works challenge common assumptions about digital literature, such as associations with hypertext and expectations of reader-controlled interactivity. They use modernism to construct immanent critiques about a culture that privileges images, navigation, and interactivity over narrative, reading, and textuality.

   Scott Rettberg - 07.01.2013 - 23:18

3. Blogging

   Blogging

   Jill Walker Rettberg - 18.06.2013 - 12:22

4. Blogging

   Thoroughly revised and updated, this new edition of Blogging provides an accessible study of a now everyday phenomenon and places it in a historical, theoretical and contemporary context. The second edition takes into account the most recent research and developments and provides current analyses of new tools for microblogging and visual blogging. Jill Walker Rettberg discusses the ways blogs are integrated into today’s mainstream social media ecology, where comments and links from Twitter and Facebook may be more important than the network between blogs that was significant five years ago, and questions the shift towards increased commercialization and corporate control of blogs. The new edition also analyses how smart phones with cameras and social media have led a shift towards more visual emphasis in blogs, with photographs and graphics increasingly foregrounded. Authored by a scholar-blogger, this engaging book is packed with examples that show how blogging and related genres are changing media and communication.

   Jill Walker Rettberg - 02.07.2013 - 14:35

5. Geomediale Fiktionen: Map Mashups – zur Renaissance der literarischen Kartographie in der digitalen Literatur

   Geomediale Fiktionen: Map Mashups – zur Renaissance der literarischen Kartographie in der digitalen Literatur

   Patricia Tomaszek - 06.07.2013 - 23:58

6. PO.EX: Essays from Portugal on Cyberliterature and Intermedia

   Po.Ex: Essays from Portugal on Cyberliterature and Intermedia is a crucial addition to the bookshelf for scholars and students of new media, digital literature, and experimental writing. Available for the first time in English, these essays are crucial primary texts of experimental literature. Po.Ex shows a long history of procedural composition and expressive intermedial writing, leading directly to the latest computer and network-based artworks. Collecting essays by Pedro Barbosa, Ana Hatherly, and E.M. de Melo e Castro, along with framing essays by the editors and extensive bibliographical materials, this book situates today’s digital and online texts in a rich tradition of European literature. New forms of writing appear in the encounter of literature and digital media, just as old forms are renewed. Po.Ex is an archive of the past, present, and future of cyberliterature and intermedia writing.

   Alvaro Seica - 27.08.2013 - 15:29

7. Memory Machines: The Evolution of Hypertext

   This book explores the history of hypertext, an influential concept that forms the underlying structure of the World Wide Web and innumerable software applications. Barnet tells both the human and the technological story by weaving together contemporary literature and her exclusive interviews with those at the forefront of hypertext innovation, tracing its evolutionary roots back to the analogue machine imagined by Vannevar Bush in 1945.

   Jill Walker Rettberg - 30.08.2013 - 10:57

8. Collaborative Narrative

   Brief entry on collaborative narrative situating collaboration in hypertext and online writing contexts.

   Collaboratively written narratives are not specific to new media: a number of works within the Western cultural and literary canon, for example the epics of Homer, the Judeo-Christian Bible, and Beowulf, are believed to have been developed through collaborative storytelling and writing processes. It can however be said that collaborative writing practices are more prevalent in contemporary digital media than in print.

   Electronic literature authors most often write within software platforms that are themselves “authored”—every time someone opens up Photoshop, or Flash, they are reminded of the long list of developers who actually wrote the software. So even making use of a particular application is a type of collaboration. There is a greater degree of transparency to the collective efforts involved in digital media production than to traditional literary production.

   (Source: Author's introduction)

   Scott Rettberg - 01.11.2013 - 11:53

9. Reading Writing Interfaces: From the Digital to the Bookbound

   In Reading Writing Interfaces, Lori Emerson examines how interfaces—from today’s multitouch devices to yesterday’s desktops, from typewriters to Emily Dickinson’s self-bound fascicle volumes—mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries.

   Table of Contents:

   Introduction

   Chapter 1: Indistinguishable From Magic | Invisible Interfaces and Digital Literature as Demystifier

   Chapter 2: From the Philosophy of the Open to the Ideology of the User-Friendly

   Chapter 3: Typewriter Concrete Poetry and Activist Media Poetics

   Chapter 4: The Fascicle as Process and Product

   Chapter 5: Postscript | The Googlization of Literature

   Works Cited

   Jill Walker Rettberg - 09.05.2014 - 02:11

10. Psychoanalytic Interpretation of Blueberries by Susan Gibb

    La obra de ficción digital titulada Blueberries (2009) de Susan Gibb, publicada en la ELO (Organización de literatura electrónica) invita al lector/a a viajar dentro de la mente de la protagonista para descubrir sus experiencias reales e imaginarias en las que se examinan las nociones de género, sexo, cuerpo e identidad de una mujer traumatizada. En este artículo se exploran los modos verbales y visuales en esta ficción digital breve siguiendo patrones semióticos así como se interpretan los estados psicológicos por medio de componentes poéticos y tecnológicos. Se llevará a cabo un estudio comparativo de las consecuencias del trauma en la protagonista de la historia con teorías psicoanalíticas de Sigmund Freud, Jacques Lacan, así como las de las psicoanalistas feministas: Melanie Klein y Bracha Ettinger. Se estudiarán las reacciones de la protagonista ante la pérdida de la realidad, las alucinaciones y el complejo de Electra, así como el surgimiento de mecanismos de defensa y su uso de la creatividad artística como terapia curativa.

    Maya Zalbidea - 03.06.2014 - 11:07

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