Search

Search content of the knowledge base.

The search found 15 results in 0.009 seconds.

Search results

  1. A Short History of Electronic Poetry

    “Una Piccola Storia della Poesia Elettronica” presents a brief history of digital poetry, from the perspective of the Electronic Poetry Center (EPC), Buffalo, and the international E-Poetry Festivals of digital literature, art, and performance (E-Poetry). The paper engages the discipline from various perspectives, considering its relation to historic contextualizing movements and institutional mechanisms. Typifying the E-Poetry festivals, it is argued, are its exuberant origins: (1) the U.S. small press movements of the later twentieth century; (2) the activities and philosophies of the Electronic Poetry Center; (3) its self-definition as more broadly-conceived than that of hypertext; (4) the pre-existing literary ground of Language Poetry practices; (5) the vibrancy of the as-then-constituted Poetics Program at Buffalo, and; (6) a "symposium of the whole", the continued emerging importance of enthnopoetic localizations to an eventual realization of contemporary poetics.

    Patricia Tomaszek - 12.01.2011 - 16:57

  2. Filiations and History of Digital Literature in France

    In this paper, I retrace the filiations and the history of digital literature in France, emphasizing the various literary and aesthetic tendencies and the corresponding social structures (groups, reviews...). I conclude with the possible characteristics of digital literature in France (which might not be specific to France).

    Patricia Tomaszek - 12.01.2011 - 17:12

  3. Christopher Strachey: The First Digital Artist?

    Extensive blog post in GrandTextAuto arguing that Christopher Strachey's love letter generator was in fact the first work of digital literature, with many references and quotations. A debate follows in the comments, for instance discussing the idea that the generator may be a form of anti-literature, a parody of literature.

    Jill Walker Rettberg - 24.03.2011 - 23:15

  4. As We May Think

    As We May Think

    Scott Rettberg - 25.03.2011 - 11:31

  5. Experimental Poetry and Technology in Argentina: History, Critique, Politics

    Experimental Poetry and Technology in Argentina: History, Critique, Politics

    Scott Rettberg - 21.05.2011 - 00:08

  6. Poetics in the Expanded Field: Textual, Visual, Digital . . .

    Poetics in the Expanded Field: Textual, Visual, Digital . . .

    Eric Dean Rasmussen - 30.05.2011 - 21:10

  7. The Archive as Historical Practice

    "The Archive as Historical Practice", a presented paper on the history/present state of "archival production of text", as examined through a critical perspective. This paper, engaging a number of scholars and practitioners in the field, touches on the work of Robert Coover.

    (Source: Author's abstract for ELO_AI)

    Audun Andreassen - 03.04.2013 - 10:16

  8. Communities/Commons: A Snap Line of Digital Practice

    “Communities/Commons: A Snap Line of Digital Practice” presents a brief history of digital poetry, from the perspective of the Electronic Poetry Center (EPC), Buffalo, and the international E-Poetry Festivals of digital literature, art, and performance (E-Poetry). The paper engages the discipline from various perspectives, considering its relation to historic contextualizing movements and institutional mechanisms. Determining a renewed vision of E-Poetry community, it is argued, are its exuberant origins: (1) the U.S. small press movements of the later Twentieth century; (2) the activities and philosophies of the Electronic Poetry Center; (3) its self-definition as more broadly-conceived than that of any specific category of digital literature; (4) the pre-existing literary ground of Black Mountain, Language Poetry, and related practices; (5) the vibrancy of the as-then-constituted Poetics Program at Buffalo, and; (6) a “symposium of the whole”, the continued emerging importance of enthnopoetic localizations to an eventual realization of contemporary poetics. Finally, a call is made for the field being adaptable and more generous with its frames of reference.

    Patricia Tomaszek - 29.04.2013 - 15:57

  9. The History of Communications Media

    The History of Communications Media

    Scott Rettberg - 29.06.2013 - 13:37

  10. Materialities of Communication

    Materialities of Communication

    Scott Rettberg - 29.06.2013 - 19:26

Pages