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False Pretenses, Parasites, and Monsters
A meditation on parasites and montrosity in American novels and hypertext fictions.
Eric Dean Rasmussen - 15.03.2011 - 15:57
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Language Writing, Digital Poetics, and Transitional Materialities
Language Writing, Digital Poetics, and Transitional Materialities
Eric Dean Rasmussen - 30.05.2011 - 21:18
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From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Technology Mediated Research
From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Technology Mediated Research
Scott Rettberg - 17.06.2011 - 12:04
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New Media ArtPoetry: A Textu(r)al Surface
In the talk Mencía describes how her art practice moved from using electronic devices to create physical inscriptions, such as in the installation "I Love You" which was a sort of fax machine that made images in response to the interactor moving a toy car over a stone with the works "I Love You" engraved in it, and collaborative performance works based on collective activities and gestures, to a practice in digital media based on communication and miscommunication in human and computer language.
Eric Dean Rasmussen - 30.08.2011 - 11:35
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Is There a Message in the Medium? The Materiality of Language
The initial argument of this essay is absurdly simple, obvious, literal: language must be embodied and thus its particular medium is—literally, ontologically—the matter, the flesh, the materiality of any message that it articulates. Marshall McLuhan urged us to recognize that media signify, that the matter in which the message is embodied also traces differences that were already what we have come to call ‘writing’ in a poststructuralist, Derridean sense: grammatological practices. However, McLuhan’s copula was not ontological. It expressed a concern that these other, parallel messages were more significant than any linguistic message they embodied. This same anxiety has reached a kind of apotheosis in recent criticism of digital literature—from Christopher Funkhouser and Roberto Simanowski—revenant as no less than our ancient fear of cannibalism. The message of the medium literally consumes the materiality of language: its own body, flesh of its flesh. But this cannibalism would only be literal—and thus taboo, thus truly terrifying—if McLuhan’s copula were ontological.
Eric Dean Rasmussen - 30.08.2011 - 12:34
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From ‘words, words, words’ to ‘birds, birds, birds’: Literature between the representation and the presentation
From ‘words, words, words’ to ‘birds, birds, birds’: Literature between the representation and the presentation
Eric Dean Rasmussen - 01.09.2011 - 10:57
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Screening a Digital Visual Poetics
Screening a Digital Visual Poetics
Eric Dean Rasmussen - 12.02.2012 - 23:27
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Literal Art
John Cayley dadas up the digital, revealing similarities of type across two normally separate, unequal categories: image and text. "Neither lines nor pixels but letters," finally, unite.
(Source: ebr First Person thread page)
Eric Dean Rasmussen - 15.02.2012 - 13:15
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Transient Self-Portrait
Transient self–portrait is an artistic research project with the aim of creating an interactive piece.
I take as the point of departure two pivotal sonnets in Spanish literature that are normally studied
alongside each other, En tanto que de rosa y azucena by Garcilaso de La Vega, a 16th Century
Spanish poet, using Italian Renaissance verse forms and Mientras por competir con tu cabello by
Luís de Gongora, a 17th Century Spanish poet from the Baroque period. Gongora’s sonnet is a
homage to Garcilaso’s and the styles and the cultural aspects that appear on the sonnets are very
different reflecting the attitudes from the Renaissance and the Baroque.Eric Dean Rasmussen - 20.06.2012 - 19:33
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Materiality Has Always Been In Play
Materiality Has Always Been In Play
Scott Rettberg - 29.06.2013 - 12:43