Search

The search found 10 results in 0.008 seconds.

Search results

1. Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext

   Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext

   Eric Dean Rasmussen - 07.07.2011 - 16:37

2. Between Page and Screen: Remaking Literature Through Cinema and Cyberspace

   Between Page and Screen: Remaking Literature Through Cinema and Cyberspace

   Eric Dean Rasmussen - 25.08.2011 - 14:00

3. Reversed Remediation. A Critical Display of the Workings of Media in Art

   Reversed Remediation. A Critical Display of the Workings of Media in Art

   Eric Dean Rasmussen - 30.08.2011 - 10:48

4. ELiterature Formalization and Pedagogical Implications

   This paper deals with the eLiterature formalization and its pedagogical implications. Firstly, it considers the pressing need of an official formalization of Electronic Literature. Secondly, it provides a proposal for the appropriate pedagogical theory and methodologies necessary to take advantage of the possibilities offered by New Media Writing in educational contexts. Finally, it offers some examples of possible pedagogical practices which adopt Digital Literature.

   Scott Rettberg - 06.10.2011 - 15:59

5. Interactive Technology and the Remediation of the Subject of Writing

   Interactive Technology and the Remediation of the Subject of Writing

   Scott Rettberg - 25.06.2013 - 13:59

6. Roundtable on remediation of French literature

   Syntonie is a project of digital review for ipad that would prefigure an anthology of French digital poetry. Only 3 works originally designed for a computer will be carried on ipad. The choose of the works, the new computing and the semiotics design will be done at the laboratory Paragraphe in relationship with the publisher. We will examine here the questions that this remediatisation asked: what is lost? What is preserved? What is changed? What balance between mediation for present audience and fidelity to the work? Are they facets of the work we can only document (semiotic representations inside the original program for instance)? Is remediatisation an act of preservation?

   All these questions will be asked in technical, semiotics, literary and publishing points of view. The project will only begin in February and we will document all the process.

   Scott Rettberg - 25.09.2013 - 10:42

7. Translating afternoon, a story by Michael Joyce, or How to Inhabit a Spectral Body

   If we are to follow Paul de Man’s reading of Walter Benjamin’s famous essay “The Task of the Translator” , the translating process, far from being an attempt at totalization, further fragments the already fragmented pieces of a greater vessel, "die reine Sprache", or pure language, which remains inaccessible, and stands for a source of fragmentation itself. The work exists only through the multiple versions it comprises. As claimed by Walter Benjamin in « The Task of the Translator », a work always demands a translation which is both an alteration and a guarantee of its perpetuation : "(…) it can be demonstrated that no translation would be possible if in its ultimate essence it strove for likeness to the original. For in its afterlife -- which could not be called that if it were not a transformation and a renewal of something living -- the original undergoes a change."
   

   Rebecca Lundal - 17.10.2013 - 16:17

8. New Textualities

   This article introduces EJES, vol. 11, issue 2, "New Textualities." It briefly outlines the relation between theoretical and technological changes that has led to a re-examination of textual forms in the digital age. Texts as both social text and technotext are tentatively explored in the context of remediation and proliferation of textual materialities that defines contemporary culture. The six articles contained in this issue deal with specific aspects of this linguistic and literary context, in which texts, metatexts and tools for analysing texts are fostering a new critical awareness of textual phenomena and textual representation.

   (Source: Author's Abstract)

   Alvaro Seica - 04.12.2013 - 15:11

9. Bookish Electronic Literature: Remediating the Paper Arts through a Feminist Perspective

   An exploration of bookishness (book fetishism, book porn, books as physical aesthetic objects that we adore) and in particular the way in which paper arts and bookishness, and the "cute", are used in a feminist and thereby political aesthetics.

   Electronic literature is awash with paper. In particular, the paper arts of scrapbooking, paper dress-up dolls, paper-doll theater, postcards, and stitch patterns have found a resurgence in recent works of electronic literature by women writers. In very different ways but with meaningful connections, Caitlin Fisher, Travis Alber, J.R. Carpenter, and Juliet Davis all purposefully remediate these paper arts associated with female domestic crafts in ways that both archive and reinvigorate them. Moreover, as I will argue in this talk, these writers use digital poetics to reconsider these feminized forms from a feminist perspective. They insist on the significance of materiality, both the materiality of bodies of humans and of texts, in ways that subtly transform and update older feminist discourses and artistic practices for a new medium and moment.

   (Source: Author's Description)

   Jill Walker Rettberg - 20.06.2014 - 18:06

10. Multimodal Editing and Archival Performance: A Diagrammatic Essay on Transcoding Experimental Literature

    The aim of PO.EX: A Digital Archive of Portuguese Experimental Literature (http://po-ex.net/) is to represent the intermedia and performative textuality of a large corpus of experimental works and practices in an electronic database, including some early instances of digital literature. This article describes the multimodal editing of experimental works in terms of a hypertext rationale, and then demonstrates the performative nature of the remediation, emulation, and recreation involved in digital transcoding and archiving. Preservation, classification, and networked distribution of artifacts are discussed as representational problems within the current algorithmic and database aesthetics in knowledge production.

    (source: abstract DHQ)

    Hannah Ackermans - 07.12.2018 - 10:51