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1. Reading the Code between the Words: The Role of Translation in Young-hae Chang Heavy Industries’s Nippon

   Reading the Code between the Words: The Role of Translation in Young-hae Chang Heavy Industries’s Nippon

   Meri Alexandra Raita - 02.10.2011 - 22:17

2. Cia Rinnes Zaroum

   Critical essay on Cia Rinnes digital archive zaroum, appearing in the collection New Nordic Visual Poetry (2006-2008) published on Afsnit P.

   Sissel Hegvik - 04.04.2013 - 17:05

3. Kjærstad, hyperroman og hieroglyffer

   Jan Kjærstads seneste roman Tegn til Kærlighed handler om at finde de magiske skrifttegn, som fører til kærlighedens lige så magiske kraftfelt. Bogen går amok i bogstavernes taktile verden og deres religiøse betydningsindhold. Samtidig er romanens sætninger fyldt med ladede detaljer, hvor næsten hvert ord rummer en “linkmulighed”. Karen Wagner trækker i sit essay tråde til Kjærstads egne overvejelser om romanen i internettets tidsalder - og til den netop udkomne danske udgave af Nøgle til de ægyptiske hieroglyffer.

   Mer av Wagners skrivning om hieroglyffer: http://www.afsnitp.dk/aktuelt/12/hieroglyffernesg.html

   Sissel Hegvik - 29.04.2013 - 00:20

4. X0y1 #ensayos sobre género y ciberespacio

   Una colección de ensayos como resultado del Seminario Internacional X0y1: Arte e industria digital: aproximaciones desde el género y el ciberespacio. January 22rd and 23rd of 2014, CAAC. Los editores publicaron en este volumen los diferentes trabajos de investigación que fueron debatidos en las conferencias y los proyectos teóricos presentados en el encuentro y seleccionados en la convocatoria pública. A ellos han sumado además la traducción de una breve selección de trabajos sobre feminismo y cultura digital de Mary Flanagan, Gesche Joost y Sandra Buckmüller.

   Maya Zalbidea - 30.07.2014 - 11:08

5. Mapping the Convergence of Networked Digital Literature and Net Art onto the Modes of Production

   In this paper I argue that the restrictions imposed by technological barriers within select forms of digital literature and net art are cause for the success of these works from the early internet to the present—the technological restrictions themselves guided their formulation. Arguably, the
   constraints create the aesthetic context in which the works thrive, while the artist figure
   transforms into mechanical producer.
   

   Magnus Lindstrøm - 17.02.2015 - 15:53

6. The Procedural Poetries of Joan Retallack

   Brian Lennon considers the aesthetic that Retallack has evolved out of a cybernetic sensibility - a formalism that does not impose authoritarian codes or repressive orders, but rather hacks a pattern out of the sheer data of everyday life: directories, menus, phone books, indexes, encyclopedias, and archives.

   Eirik Tveit - 12.09.2017 - 14:52

7. Espacement de Lecture

   Florence’s presentation explores how the “espacement” (Mallarme, Derrida) intrinsic to all writing changes in a born-digital context.

   The essay is a poetic exploration of how digital writing and reading operate in a new dynamic, exploring existing pathways and structures, innovatively correlated. But this simple change in relations - this new dynamic - does something further. Not only does digital reading/writing make visible and active existing structures of reading and language, it also creates new ones

   Ole Samdal - 24.11.2019 - 22:40

8. Mapping Place / Troubling Space

   This essay expands on writing, thinking, talking, and walking undertaken in collaboration with London-based writer Mary Paterson. Throughout our collaboration Mary has asked questions about place, migration, identity, and belonging. Questions that are mostly unanswerable. Questions that I’ve tried to answer anyway. Because speaking about the unspeakable with someone comes as a relief. Building on a series of keynotes presented 2018-2019, this essay is structured around keyframes, a term borrowed from animation. Echoing the timeline feature common to animation, audio, and video editing softwares, this essay is designed to be read in a long horizontal scroll.

   J. R. Carpenter - 27.08.2021 - 13:07