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1. Reading the Discursive Spaces of Text Rain, Transmodally

   Reading the Discursive Spaces of Text Rain, Transmodally

   Eric Dean Rasmussen - 31.01.2011 - 15:21

2. Screen Writing: A Practice-based, EuroRelative Introduction to Digital Literature and Poetics

   Screen Writing: A Practice-based, EuroRelative Introduction to Digital Literature and Poetics

   Eric Dean Rasmussen - 31.01.2011 - 15:35

3. Geopoetics: Aesthetic Experience in the Works of Stefan Schemat and Teri Rueb

   Geopoetics: Aesthetic Experience in the Works of Stefan Schemat and Teri Rueb

   Eric Dean Rasmussen - 31.01.2011 - 15:44

4. The Bride Stripped Bare: Nude Media and the Dematerialization of Tony Curtis

   The Bride Stripped Bare: Nude Media and the Dematerialization of Tony Curtis

   Eric Dean Rasmussen - 30.05.2011 - 11:30

5. On Reading 300 Works of Electronic Literature: Preliminary Reflections

   Note: Tabbi's essay was posted on July 22, 2009, on the online forum On the Human, hosted by the National Humanities Center where it generated 35 additional posts. It was reprinted, along edited versions of these responses, in Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres (Transcript, 2010). These responses are archived separtedly in the ELMCIP Knowledge Base As "Responses to 'On Reading 300 Works of Electronic Literature: Preliminary Reflections.'"

   Eric Dean Rasmussen - 31.08.2011 - 15:55

6. Literatura i tecnologia. Ha perdut els papers, la literatura?

   Literatura i tecnologia. Ha perdut els papers, la literatura?

   Sandra Hurtado - 01.12.2011 - 16:23

7. Ciberteatro. Posibilidades dramatúrgicas en la era digital

   Ciberteatro. Posibilidades dramatúrgicas en la era digital

   Sandra Hurtado - 01.12.2011 - 16:35

8. Into Thin Air: Blank Space in ‘Happening Poetry'

   Into Thin Air: Blank Space in ‘Happening Poetry'

   Marije Koens - 03.05.2012 - 23:12

9. Estudos de Software

   Estudos de Software

   Luciana Gattass - 16.10.2012 - 17:17

10. Portuguese Experimental Poetry: Revisited and Recreated

    Portuguese Experimental Poetry, claiming to be an avant-garde movement, arose in Lisbon in the mid 60’s. It got its name from the title of a magazine, Cadernos de Poesia Experimental, which became the herald of the movement. Two issues were published, the first in 1964 and the second in 1966, organized by António Aragão and Herberto Hélder. The first issue was presented as anthological, since it included texts not only of Portuguese poets and musicians but also Brazilian, French, Italian and English artists. It also had a section which included poets of several epochs and tendencies, such as Luis de Camões or Quirinus Kuhlmann, representing respectively the mannerist and baroque aesthetics of European poetry.

    (Source: Author's Introduction)

    Alvaro Seica - 02.12.2013 - 15:14

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