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  1. After the Page: Digital Reading Practices and New Media Technology in the Writing Classroom

    A significant pedagogical challenge emerging from the recent shift from print to digital-media formats is the need to develop and maintain critical reading strategies for online literary analysis. Because traditional approaches to literature and professional writing were developed to engage different genres of print-based texts, today’s university educators find it pointedly lacking when applied to digital reading environments. This discrepancy appears simultaneously at both a practical and cognitive level. Students reading electronic texts, studies show, are more likely to avoid active note-taking, highlighting key passages or comparing multiple works (Barry, 2012; Gold, 2012). As a result, higher levels of comprehension, including remembering crucial premises and text-specific-terminologies, are adversely affected. Speaking to the difficulty of building critical analyses in electronic formats, one researcher feels “[l]iterary criticism in the academy has reached a crisis point, and what we mean by ‘reading’ stands at the center of the storm” (Freedman, 2015).

    Jane Lausten - 03.10.2018 - 15:48

  2. Distant Reading and Digital Reading Practices

    In my home discipline of 19th Century Literature, Franco Moretti pioneered the notion of “distant reading,” in contrast to the close reading beloved by New Critics and deconstructionists alike. While close reading’s value to student engagement with both literary texts and their own writing in both classroom and writing center contexts has been demonstrated in practice, what about the value of distant reading for these endeavors?

    Distant reading is known for the “graphs, maps, trees” of Moretti’s work of the same name; the results of a textual encounter with the CATA software Voyant remind one very much of a perusal of one of his scholarly works. Engaging with a literary text with CATA software enables students not only to read digital texts but also to contextualize the work on a larger scale, noting patterns of language, structure, and so forth, thus creating material for an effective distant reading.

    Jane Lausten - 03.10.2018 - 16:00