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Green-Screeners: Locating the Literary History of Word Processing
“I suppose that my fiction will be word-processed by association, though I myself will not become a green-screener,” John Barth told the Paris Review in 1985. But just a few years later he did, not only switching to a word processor but exploring the machine as a subject in subsequent fiction. This lecture, drawn from my forthcoming book Track Changes: A Literary History of Word Processing, interweaves a narrative of word processing’s introduction to the literary world–we will see that Barth’s story, both his abrupt turn-around and his fear of guilt by association is typical–with a consideration of practical problems in doing research at the intersection of literary and technological history, especially the changing nature of the archive as primary source material becomes itself “born-digital.” Along the way we will take a look at Stephen King’s Wang, John Updike’s trash, and the 200-pound writing machine that produced the first word processed novel in English.
(Source: ELD 2015)
Alvaro Seica - 15.05.2015 - 13:50
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The Letters of 1916: Editing as UnRemembering
Ireland is currently in the opening years of what has been billed The Decade of Centenaries, or The Decade of Commemoration. This decade, from 1912-1922, marks a violent and disruptive period, politically, socially, and creatively, cumulating in Irish independence from the United Kingdom, followed by a bloody Civil War. 1916 is seen as a turning point in Irish politics: not only were many thousands of Irish fighting in the Great War with the British army, many at home took up arms against that army during the Easter Rising. The Letters of 1916 is a crowd-sourced digital humanities project that is creating ‘a year in the life’ of Ireland, as well as how Ireland was perceived abroad, by collecting letters – any letter—about Ireland. This talk will explore the methods and politics of creating such as collection which is being positioned technically at the intersections of digital scholarly editing and big data.
(Source: ELD 2015)
+ info: http://dh.tcd.ie/letters1916/
Alvaro Seica - 15.05.2015 - 13:54
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Biblio Unbound
What is a bibliographical object in a distributed digital environment? What are the challenges in developing a bibliographical description of digital artifacts and how could these be addressed using post-colonial theories of knowledge production? When we try to apply traditional analytic or descriptive approaches to bibliography to digital artifacts, it quickly becomes clear that they are not “objects” in the analogue sense. Digital objects are constituted at the intersection of multiple dependencies—from file types and platforms to bandwidth, browser capabilities, and processing speeds to social and cultural conditions of production and reception. This talk draws on various models of bibliographical study and approaches to the history of the book to suggest some ways a general practice of digital bibliography might be developed.
(Source: ELD 2015)
Alvaro Seica - 16.05.2015 - 22:00
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End over End
This is a two-part meditation on where electronic literature came from, some of the places it’s been, and how (and why) it might possibly go on.
Espen Aarseth will look at the roots of electronic literature in the period before 1997, discussing the origins of digital writing in terms of contemporary art and theory. Particular attention will be given to interactive fiction and what happened to it.
Stuart Moulthrop skips over the really important bits (1997-2010) and concentrates on the state of electronic literature in the current decade, especially the intersection of various text-generation schemes with latter-day conceptualism and “the new illegibility.”
Both keynote speakers will offer critical prospects on the very idea of electronic literature, the meaning of the name, and various present and future ontologies for our discourse.
(source: ELO 2015 conference catalog)
Hannah Ackermans - 27.10.2015 - 10:46
