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1. PO.EX: Essays from Portugal on Cyberliterature and Intermedia

   Po.Ex: Essays from Portugal on Cyberliterature and Intermedia is a crucial addition to the bookshelf for scholars and students of new media, digital literature, and experimental writing. Available for the first time in English, these essays are crucial primary texts of experimental literature. Po.Ex shows a long history of procedural composition and expressive intermedial writing, leading directly to the latest computer and network-based artworks. Collecting essays by Pedro Barbosa, Ana Hatherly, and E.M. de Melo e Castro, along with framing essays by the editors and extensive bibliographical materials, this book situates today’s digital and online texts in a rich tradition of European literature. New forms of writing appear in the encounter of literature and digital media, just as old forms are renewed. Po.Ex is an archive of the past, present, and future of cyberliterature and intermedia writing.

   Alvaro Seica - 27.08.2013 - 15:29

2. A Beam of Light: Reading the Portuguese Electronic Literature Collection

   This intervention presents an analysis of the Portuguese Electronic Literature Collection (PELC) I have been curating since August 2013 in the ELMCIP Electronic Literature Knowledge Base. By aggregating and expanding existing records in the database and creating new ones, I have been developing a research collection that addresses the Portuguese creative and theoretical production since the 1960s in the broader field of electronic literature. The PELC uses resources from ELMCIP and PO.EX, the Digital Archive of Portuguese Experimental Literature, led by Rui Torres at the Fernando Pessoa University.
   

   Scott Rettberg - 19.06.2014 - 20:47

3. Um Feixe Luminoso: Uma Leitura da Colecção de Literatura Electrónica Portuguesa

   A Colecção de Literatura Electrónica Portuguesa, na base de dados ELMCIP, pretende abordar e recolher as obras criativas e teóricas mais relevantes produzidas por autores portugueses no campo da literatura electrónica, durante os últimos quarenta e cinco anos. A colecção agrega também autores, eventos, organizações, editoras, periódicos, publicações, conferências, performances, instalações e exposições que estejam relacionadas com o contexto português.

   Álvaro Seiça fez uma palestra no dia 25 de junho de 2014, pelas 15h00, na Sala Ferreira Lima (6º piso, Faculdade de Letras da Universidade de Coimbra), intitulada «Um Feixe Luminoso: Uma Leitura da Colecção de Literatura Electrónica Portuguesa». Nesta palestra foi apresentada a Colecção de Literatura Electrónica Portuguesa que integra a base de dados ELMCIP (Electronic Literature as a Model of Creativity and Innovation in Practice, projecto coordenado por Scott Rettberg). Esta iniciativa é uma organização do Programa de Doutoramento em Materialidades da Literatura (Programa Doutoral FCT), em colaboração com o Programa de Cultura Digital da Universidade de Bergen.

   Alvaro Seica - 16.09.2014 - 13:19

4. Poesia Experimental Portuguesa: Contextos, Ensaios, Entrevistas, Metodologias

   Livro com alguns dos resultados do projecto «PO.EX’70-80 – Arquivo Digital da Literatura Experimental Portuguesa», financiado pela Fundação para a Ciência e a Tecnologia com fundos da União Europeia. Edição de Rui Torres, com textos sobre a maioria dos autores representados neste arquivo digital.

    

   Hannah Ackermans - 27.11.2018 - 11:24

5. Multimodal Editing and Archival Performance: A Diagrammatic Essay on Transcoding Experimental Literature

   The aim of PO.EX: A Digital Archive of Portuguese Experimental Literature (http://po-ex.net/) is to represent the intermedia and performative textuality of a large corpus of experimental works and practices in an electronic database, including some early instances of digital literature. This article describes the multimodal editing of experimental works in terms of a hypertext rationale, and then demonstrates the performative nature of the remediation, emulation, and recreation involved in digital transcoding and archiving. Preservation, classification, and networked distribution of artifacts are discussed as representational problems within the current algorithmic and database aesthetics in knowledge production.

   (source: abstract DHQ)

   Hannah Ackermans - 07.12.2018 - 10:51