Search

The search found 5 results in 0.009 seconds.

Search results

1. Geomediale Fiktionen: Map Mashups – zur Renaissance der literarischen Kartographie in der digitalen Literatur

   Geomediale Fiktionen: Map Mashups – zur Renaissance der literarischen Kartographie in der digitalen Literatur

   Patricia Tomaszek - 06.07.2013 - 23:58

2. Affordances of an App - A reading of The Fantastic Flying Books of Mr. Morris Lessmore

   In a relatively short time, apps have become highly popular as a platform for children’s fiction. The majority of media attention to these apps has focused on their technical features. There has been less focus on their aesthetic aspects, such as how interactive elements, visual-verbal arrangements and narration are interrelated. This article investigates how a reading of a «picturebook app» may differ from readings of the narratives found in printed books and movies. The discussion will be anchored in an analysis of the iPad app The Fantastic Flying Books of Mr. Morris Lessmore. This app, which is an adaptation of an animated short film, relates the story of a book lover who becomes the proprietor of a magical library.

   Jill Walker Rettberg - 29.04.2014 - 06:26

3. Bookish Electronic Literature: Remediating the Paper Arts through a Feminist Perspective

   An exploration of bookishness (book fetishism, book porn, books as physical aesthetic objects that we adore) and in particular the way in which paper arts and bookishness, and the "cute", are used in a feminist and thereby political aesthetics.

   Electronic literature is awash with paper. In particular, the paper arts of scrapbooking, paper dress-up dolls, paper-doll theater, postcards, and stitch patterns have found a resurgence in recent works of electronic literature by women writers. In very different ways but with meaningful connections, Caitlin Fisher, Travis Alber, J.R. Carpenter, and Juliet Davis all purposefully remediate these paper arts associated with female domestic crafts in ways that both archive and reinvigorate them. Moreover, as I will argue in this talk, these writers use digital poetics to reconsider these feminized forms from a feminist perspective. They insist on the significance of materiality, both the materiality of bodies of humans and of texts, in ways that subtly transform and update older feminist discourses and artistic practices for a new medium and moment.

   (Source: Author's Description)

   Jill Walker Rettberg - 20.06.2014 - 18:06

4. Whisper Wire: Code as a Medium for Sending and Receiving Un-Homed Messages Through Haunted Media

   This paper puts forward haunted media as theory of mediation able to address contemporary networked writing practices communicated across and through multiple media, multiple iterations, multiple sites, and multiple times. Drawing upon Derrida’s invitation to consider the paradoxical state of the spectre, that of being/not-being, this paper considers the paradoxical state of long-distance communications networks which are both physical and digital, and which serve both as linguistic structures and modes of transmission and reception for computer-generated texts. These texts themselves are composed of source code and textual output. They are neither here nor there, but rather here and there, past and future, original and copy. The complex temporaility of this in-between state is further articulated through Galloway’s framing of the computer, not as an object, but rather as “a process or active threshold mediating between two states” (23). This theoretical framework for haunted media will be employed to discuss a web-based computer-generated text called Whisper Wire (Carpenter 2010).

   J. R. Carpenter - 04.10.2014 - 13:04

5. Multimodal Editing and Archival Performance: A Diagrammatic Essay on Transcoding Experimental Literature

   The aim of PO.EX: A Digital Archive of Portuguese Experimental Literature (http://po-ex.net/) is to represent the intermedia and performative textuality of a large corpus of experimental works and practices in an electronic database, including some early instances of digital literature. This article describes the multimodal editing of experimental works in terms of a hypertext rationale, and then demonstrates the performative nature of the remediation, emulation, and recreation involved in digital transcoding and archiving. Preservation, classification, and networked distribution of artifacts are discussed as representational problems within the current algorithmic and database aesthetics in knowledge production.

   (source: abstract DHQ)

   Hannah Ackermans - 07.12.2018 - 10:51