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  1. Subversive Writing and the Digital Text

    Our understanding of “subversion” can be traced to its Latin roots: vertere, which means “to turn, overthrow, or destroy,” and the prefix sub, which means, “under, beneath.”  Hence, subversion is literally destruction from below.  This understanding carries with it two different connotations, one which is more concrete, as a form of non-frontal assault on a government or similar institution, by staging the attack from behind enemy lines.  The second, relies upon the antagonistic connotations of the first, but refers to the act of turning a system upon itself from within.

    Eric Dean Rasmussen - 24.11.2011 - 11:54

  2. Generating Books: Paradoxical Print Snapshots of Digital Literary Processes

    Since the advent of the internet, advocates and critics alike have heralded the end of the book. George P. Landow observed that hypertextuality and poststructuralism emerged at the same moment, both due to dissatisfaction with the printed book and hierarchal thought. Derrida argued the question of writing could only be opened if the book was closed. Consider, then, the paradoxical position of Vienna-based publishers TRAUMAWIEN. Recognizing that although the vast majority of the text produced by computer systems – protocols, listings, error logs, binary codes – is never seen or read by those who consume it, this text is internal to our daily thoughts and actions and is thus literary. TRAUMAWIEN conceives of the print books it publishes as snapshots of computer generated literary processes which would otherwise be disappearing as soon as they are written. This paper will discuss the iterative processes by which I generated one such book published by TRAUMAWIEN in 2010.

    J. R. Carpenter - 25.11.2011 - 12:05

  3. Con/Tact/ile

    Con/Tact/ile

    Jerome Fletcher - 25.11.2011 - 12:37

  4. BLOGS REMEDIATION TRANSMEDIALITY FROM DIGITAL TO PAPER TO EBOOK

    Through the analysis of three case-studies, I investigate what happens to blogs when they are transposed outside the web, in media such as printed books or ebooks. Starting from Walker-Rettberg's definition of blog (2008), three orders of change are identified: blog's life and function; author's life and role; blog's structure and content. These three levels open the discussion to gender and genre issues with reference to digital texts and to the possibility that, far from sealing the death of the author or the onnipotence of the reader, the web opens texts to emancipation. 

    Stefano Calzati - 21.12.2011 - 18:10