Search

The search found 6 results in 0.194 seconds.

Search results

1. E-Poetry Triangulated

   E-Poetry Triangulated

   Patricia Tomaszek - 04.03.2011 - 23:01

2. Against Digital Poetics

   Against Digital Poetics

   Patricia Tomaszek - 04.03.2011 - 23:07

3. Curveship: An Interactive Fiction System for Interactive Narrating

   From the publication: Interactive fiction (often called “IF”) is a venerable thread of creative computing that includes Adventure, Zork, and the computer game The Hitchhiker’s Guide to the Galaxy as well as innovative recent work. These programs are usually known as “games,” appropriately, but they can also be rich forms of text-based computer simulation, dialog systems, and examples of computational literary art. Theorists of narrative have long distinguished between the level of underlying content or story (which can usefully be seen as corresponding to the simulated world in interactive fiction) and that of expression or discourse (corresponding to the textual exchange between computer and user). While IF development systems have offered a great deal of power and flexibility to author/programmers by providing a computational model of the fictional world, previous systems have not systematically distinguished between the telling and what is told.

   Patricia Tomaszek - 22.07.2011 - 18:44

4. Cannibalistic Tendencies in Digital Poetry: Recent Observations & Personal Practices

   Cannibalistic Tendencies in Digital Poetry: Recent Observations & Personal Practices

   Patricia Tomaszek - 26.09.2012 - 13:26

5. Portuguese Experimental Poetry: Revisited and Recreated

   Portuguese Experimental Poetry, claiming to be an avant-garde movement, arose in Lisbon in the mid 60’s. It got its name from the title of a magazine, Cadernos de Poesia Experimental, which became the herald of the movement. Two issues were published, the first in 1964 and the second in 1966, organized by António Aragão and Herberto Hélder. The first issue was presented as anthological, since it included texts not only of Portuguese poets and musicians but also Brazilian, French, Italian and English artists. It also had a section which included poets of several epochs and tendencies, such as Luis de Camões or Quirinus Kuhlmann, representing respectively the mannerist and baroque aesthetics of European poetry.

   (Source: Author's Introduction)

   Alvaro Seica - 02.12.2013 - 15:14

6. Hypertexte et hypermodernité

   Hypertexte et hypermodernité

   Luc Dall'Armellina - 10.10.2014 - 15:14